In the two World Wars, hundreds of thousands of Indian sepoys were mobilized, recruited and shipped overseas to fight for the British Crown. The Indian Army was the chief Imperial reserve for an empire under threat. But how did those sepoys understand and explain their own war experiences and indeed themselves through that experience? How much did their testimonies realise and reflect their own fragmented identities as both colonial subjects and imperial policemen? The Testimonies of Indian Soldiers and the Two World Wars draws upon the accounts of Indian combatants to explore how they came to terms with the conflicts. In thematic chapters, Gajendra Singh traces the evolution of military identities under the British Raj and considers how those identities became embattled in the praxis of soldiers' war testimonies – chiefly letters, depositions and interrogations. It becomes a story of mutiny and obedience; of horror, loss and silence. This book tells that story and is an important contribution to histories of the British Empire, South Asia and the two World Wars.

Based on ten years of research, Santanu Das's India, Empire, and First World War Culture: Writings, Images, and Songs recovers the sensuous experience of combatants, non-combatants and civilians from undivided India in the 1914–1918 conflict and their socio-cultural, visual, and literary worlds. Around 1.5 million Indians were recruited, of whom over a million served abroad. Das draws on a variety of fresh, unusual sources - objects, images, rumours, streetpamphlets, letters, diaries, sound-recordings, folksongs, testimonies, poetry, essays, and fiction - to produce the first cultural and literary history, moving from recruitment tactics in villages through sepoy traces and feelings in battlefields, hospitals, and POW camps to post-war reflections on Europe and empire. Combining archival excavation in different countries across several continents with investigative readings of Gandhi, Kipling, Iqbal, Naidu, Nazrul, Tagore, and Anand, this imaginative study opens up the worlds of sepoys and labourers, men and women, nationalists, artists, and intellectuals, trying to make sense of home and the world in times of war.

Barkawi re-imagines the study of war with imperial and multinational armies that fought in Asia in the Second World War.

"First published in Great Britain in 2015 as The Raj at War by The Bodley Head"--Title page verso.

A transnational history of how Indigenous peoples mobilised en masse to support the war effort on the battlefields and the home fronts.

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. This vivid book recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war.