A critical success on both sides of the Atlantic, this darkly imaginative novel from Scottish author James Robertson takes a tantalizing trip into the spiritual by way of a haunting paranormal mystery. When Reverend Gideon Mack, a good minister despite his atheism, tumbles into a deep ravine called the Black Jaws, he is presumed dead. Three days later, however, he emerges bruised but alive-and insistent that his rescuer was Satan himself. Against the background of an incredulous world, Mack's disturbing odyssey and the tortuous life that led to it create a mesmerizing meditation on faith, mortality, and the power of the unknown.

A son of the manse, Mack has grown up in an austere and chilly house, dominated by a joyless father. Unable to believe in God, he is far more attracted by the forbidden allure of television and popular culture. Father and son clash traumatically one day and it may be guilt which drives Mack to take up a career in the Church. This minister, who doesn't believe in God, the Devil or an afterlife, one day discovers a stone standing in the middle of a wood where previously there had been none. Unsure what to make of this apparition, Mack's life begins to unravel dramatically until the moment when he is swept into a mountain stream, which pours down a chasm before disappearing underground. Miraculously Mack emerges three days later, battered but alive. He seems to have lost his mind however, since he claims that while underground he met the Devil. Written with tight pacing, superlative storytelling and immense imaginative power, this is Robertson's most ambitious and accessible novel to date.

It is the age of the bomb, the Cold War, Margaret Thatcher and North Sea Oil. As nationalism becomes a credible force in Scotland, a gay photographer, a feminist journalist, a war veteran and a guilt-ridden Conservative MP find their private lives entangled with the ideological conflicts of the times.

A new translation of the most popular Christian tale of the Middle Ages, which springs from the story of the Buddha. When his astrologers foretell that his son Josaphat will convert to Christianity, the pagan King Avenir confines him to a palace, allowing him to know only the pleasures of the world, and to see no illness, death, or poverty. Despite the king's precautions, the hermit Barlaam comes to Josaphat and begins to teach the prince Christian beliefs through parables. Josaphat converts to Christianity, angering his father, who tries to win his son back to his religion before he, too, converts. After his father's death, Josaphat renounces the world and lives as a hermit in the wilderness with his teacher Barlaam. Long attributed to the eighth-century monk and scholar, St. John of Damascus, Barlaam and Josaphat was translated into numerous languages around the world. Philologists eventually traced the name Josaphat as a derivation from the Sanskrit bodhisattva, the Buddhist term for the future Buddha, highlighting this text as essential source reading for connections between several of the world’s most popular religions. The first version to appear in modern English, Peggy McCracken’s highly readable translation reintroduces a classic tale and makes it accessible once again. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A literary spellbinder about one man’s desperate attempt to deal with grief by unmasking the terrorists responsible for the act that killed his wife and daughter Twenty-one years after his wife and daughter were killed in the bombing of a plane over Scotland, English lecturer Alan Tealing persists in trying to discover what really happened on that terrible night. Over the years, he obsessively amasses documents, tapes, and transcripts to prove that the man who was convicted was not actually responsible, and that the real culprit remains at large. When a retired American intelligence officer arrives on Alan’s doorstep on a snowy night, claiming to have information about a key witness in the trial, a fateful sequence of events is set in motion. Alan decides he must confront this man, in the hope of uncovering what actually happened. While Robertson writes with the narrative thrust of a thriller, The Professor of Truth is also a graceful meditation on grief, and the lengths we may go to find meaning in loss.

LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .' Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time. In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach. Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community. In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own. News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.

Published anonymously in 1824, this gothic mystery novel was written by Scottish author James Hogg. The Private Memoirs and Confessions of a Justified Sinner was published as if it were the presentation of a century-old document. The unnamed editor offers the reader a long introduction before presenting the document written by the sinner himself.