A groundbreaking work of investigative journalism, The Terror Factory shows how the FBI has - under the guise of engaging in counterterrorism since 9/11 - built a network of informants whose primary purpose is to infiltrate Muslim communities to create phony terrorist plots so the bureau can claim victory in the War on Terror. Now Aaronson reveals in detail how the FBI transformed from a reactive law enforcement agency into a proactive counterterrorism unit, and how so-called terror consultants have made fortunes by exaggerating the threat of Islamic terror in the US.

A riveting, behind-the-scenes look of the Yazidi genocide and the terrorist threat it holds for the West, based on the investigation by Father Patrick Desbois, Costel Nastasie, and their team at Yahad–In Unum, as first shown on 60 Minutes. With testimony drawn from more than 200 interviews with Yazidi survivors—girls, women, boys, and men—recorded during 11 investigative trips to refugee camps in Iraqi Kurdistan. "If you read only one book on this subject, it should be this one.”—Lara Logan, 60 Minutes The massacre of the Yazidi people by ISIS was nothing less than genocide. In refugee camps in Iraqi Kurdistan, the authors brought a skilled team to interview more than a hundred ISIS survivors and document what they experienced and saw. These former slaves observed their torturers and know from the inside the secret facilities that ISIS has kept hidden from the world. What their testimony reveals is an organization whose ambition is power, regardless of their claim to be "soldiers of God." Their fighters are paid with sex, money, and the power of life and death over captives. Their promised paradise is here and now, not after death. Men who didn't swear allegiance were executed. Women became slaves for sex or reproduction, and their offspring may still serve the cause. In mobile training camps, the captured children were drugged, indoctrinated, and taught to shoot Kalashnikovs, plant explosives, and handle suicide vests. They are the intended products of the terrorist factory. In this taut, disturbing account, the authors document a utilitarian genocide that still holds an implicit threat to other counties, including those in the West.

Is the FBI investigating domestic terror plots--or instigating them?

A groundbreaking work of investigative journalism, The Terror Factory was the first book to expose how the FBI, under the guise of engaging in counterterrorism, built a network of more than 15,000 informants after 9/11 whose primary purpose was to infiltrate Muslim communities to create and facilitate phony terrorist plots so that the Bureau could then claim it was winning the war on terror. This tenth anniversary edition of The Terror Factory will focus on the activities of the FBI over the past decade, including how the Justice Department has prosecuted hundreds of defendants on international terrorism charges that emerged from FBI stings. In many of these stings, the informants or undercover agents provided all the money and weapons for the terrorist plots, and sometimes even the ideas -- raising significant questions about whether any of these people would have committed the crimes were it not for the FBI's encouragement. The book will also examine how the FBI is assigning informants to infiltrate right-wing groups, and how the calls for new right-wing anti-terrorism laws would give the Bureau even more power.

For nearly fifteen yearz I've attempted 'shock therapy' on the mindz of Afrikan people by challenging us to dispute everything from history to politics, diet to religion, on down to historic African-American organizationz. My quest was and alwayz will be to challenge you; to dare you to face who taught you; to reveal that not everything you may believe now, you had the opportunity to thoroughly investigate. Analitikul Cogitationz is a two-part book. So that you can know the person behind Da Ghetto Tymz magazine, Part 1 (Deja Vu), coverz the first few yearz of my re-awakening to Pan-Afrikan consciousness. In this mini-autobiography, I speak of thingz I went through I once was afraid to speak about. Part 2 is a collection of some of my best perspective articles that appeard in Da Ghetto Tymz magazine from 1993-2006. You may or may not agree with the message I convey, but I hope you will use my arguments as inspiration to further confirm your own beliefs whatever they may be.

How do terrorist groups control their members? Do the tools groups use to monitor their operatives and enforce discipline create security vulnerabilities that governments can exploit? This title examines the great variation in how terrorist groups are structured.

When Louis XVI was guillotined on January 21, 1793, vast networks of production that had provided splendor and sophistication to the royal court were severed. Although the king’s royal possessions—from drapery and tableware to clocks and furniture suites—were scattered and destroyed, many of the artists who made them found ways to survive. This book explores the fabrication, circulation, and survival of French luxury after the death of the king. Spanning the final years of the ancien régime from the 1790s to the first two decades of the nineteenth century, this richly illustrated book positions luxury within the turbulent politics of dispersal, disinheritance, and dispossession. Exploring exceptional works created from silver, silk, wood, and porcelain as well as unrealized architectural projects, Iris Moon presents new perspectives on the changing meanings of luxury in the revolutionary and Napoleonic periods, a time when artists were forced into hiding, exile, or emigration. Moon draws on her expertise as a curator to revise conventional accounts of the so-called Louis XVI style, arguing that it was only after the revolutionary auctions liquidated the king’s collections that their provenance accrued deeper cultural meanings as objects with both a royal imprimatur and a threatening reactionary potential. Lively and accessible, this thought-provoking study will be of interest to curators, art historians, scholars, and students of the decorative arts as well as specialists in the French Revolution.