A play that tells the story of the clash between librarians, Edmund La Touche Armstrong and Amos Brazier as they fought for control of the Public Library of Victoria in the early 1900s.

A play that tells the story of the clash between two librarians, Edmund La Touche Armstrong and Amos Brazier as they fought for control of the Public Library of Victoria in the early 1900s. The play was written in June 1998.

DIV“A fresh, revelatory, golden eagle’s eye-view of western literature.” —Financial Times/divDIV Early in Grammars of Creation, George Steiner references Plato’s maxim that in “all things natural and human, the origin is the most excellent.” Creation, he argues, is linguistically fundamental in theology, philosophy, art, music, literature—central, in fact, to our very humanity. Since the Holocaust, however, art has shown a tendency to linger on endings—on sundown instead of sunrise. Asserting that every use of the future tense of the verb “to be” is a negation of mortality, Steiner draws on everything from world wars and the Nazis to religion and the word of God to demonstrate how our grammar reveals our perceptions, reflections, and experiences. His study shows the twentieth century to be largely a failed one, but also offers a glimpse of hope for Western civilization, a new light peeking just over the horizon./div

This book lays a foundation for effective communication with the English language. The student will learn the basics of English grammar, including the definition and usage of the eight parts of speech. In addition, the student will examine how these are to be properly used in phrases, clauses, and sentences. Correct sentence structure, diagramming, pronoun usage, and forming good paragraphs are also emphasized. Grade 7."

Are great works of art, literature and music 'creations' or 'inventions'? Does the mathematician 'invent' or 'discover'? Exploring an often neglected field, this book asks whether the current revolutions in our means of communication and in the biological sciences, may bring with them radical changes in the concept of individual creation and of poetic and philosophical invention. Are we returning to ancient anonymities and collectivities in aesthetic and intellectual experience? Are music and architecture now at the frontier where, as Plato would have it, truth and beauty meet? In Grammars of Creation the eminent critic George Steiner brings his unparalleled acumen and erudition to bear on these and other questions. 'This is a mesmerising book . . . Expressed in prose that is unfailingly apt, luminous and evocative.' Guardian