You are invited to tango, the world's most sensual and intimate dance, through the stories and memoirs of two American tangueros. The Temptation to Tango: Journeys of Intimacy and Desire will take you where no other book on tango ever has. Short fictional pieces enter the world of tango through the dancer's eyes, heart, and skin; expository pieces provide background with lively accounts of tango's history and evolution, of personal experiences learning to tango, and of the pleasures and challenges of adding tango to our own lives. Alternating fiction and non-fiction the way we have is the only way to capture the multiple voices of tango. Ours is not a "how-to" manual or an historical treatise, but a tour of the erotic steam of crowded late night dance floors as well as the frightening challenges to body and heart. The Temptation to Tango: Journeys of Intimacy and Desire is divided into four parts: "The Lure", "The Reality", "The Challenge" and "The Reward". First, we explore tango's romantic allure, mysterious origins, and exotic dark side. The first short story is about a Catholic priest whose hidden life of tango is exposed. Next, we focus on why tango is so hard to learn; the stresses on the body and inner-world of emotion. We investigate the cultural issues around dominance and submission. Six more short stories tell tales of couples and singles who take-on the tango with very different goals and results. Even after mastery of the dance, challenges abound: the tango scene and how to fit into it, the intimacy factor and how far to take it, and the impact on established relationships. What one can get from persevering along the arduous tango trail is sensual and emotional fulfillment, rewards frequently lacking in our society.

An enigmatic lady arrives in a small Mediterranean village. She starts to teach Tango for the men in her house. The priest and the wives get suspicious and start a crusade to get rid of her. The village split in half. A feel good, warm and sensual history. Chocolat meets Last Tango in Paris. Written as a film it will take you on a journey! "The transparent emerald green from the Mediterranean sea and clean white beaches are calm as if no wind exists in that part of the world.From bird eyes view we see a young man sleeping near a fishing rod. Two bikes arrive nearby.Evander, a 20 year old man is fishing on the rocks, he is nearly asleep when he hears a noise. It is one of the bikes being dropped on the ground.. He stretches his neck to look who is disturbing his fishing moment and sees FANG a stunningly beautiful 19 year old Chinese woman with long dark hair and her beautiful sister MEY, a 29 year old Chinese woman starting undressing. Shocked he is frozen! His heart is jumping out of his mouth."

This is an open access book. The 5th International Conference on Literature, Art and Human Development (ICLAHD 2023) was held on October 20-22, 2023 in Chengdu, China. Literature is an art that reflects the social life and expresses the author's thoughts and feelings by shaping images with language as the means. Art is a social ideology that uses images to reflect reality but is more typical than reality. It includes literature, painting, sculpture, architecture, music and so on. Literature is one of the forms of expression belonging to art. Literature and art are difficult to separate by a clear boundary, but also for people to create more infinite imagination space. ICLAHD 2023 is to bring together innovative academics and industrial experts in the field of Literature, Art and Human Development research to a common forum. The primary goal of the conference is to promote research and developmental activities in Literature, Art and Human Development research and another goal is to promote scientific information interchange between researchers, developers, engineers, students, and practitioners working all around the world. The conference will be held every year to make it an ideal platform for people to share views and experiences in Literature, Art and Human Development research and related areas.

Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as “Funiculì funiculà” (1880) and “’O sole mio” (1898) which sold millions of copies. These hits fueled the tradition’s spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz. This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.

Click here to listen to Julia Ericksen's interview about Dance with Me on Philadelphia NPR's "Radio Times" Rumba music starts and a floor full of dancers alternate clinging to one another and turning away. Rumba is an erotic dance, and the mood is hot and heavy; the women bend and hyperextend their legs as they twist and turn around their partners. Amateur and professional ballroom dancers alike compete in a highly gendered display of intimacy, romance and sexual passion. In Dance With Me, Julia Ericksen, a competitive ballroom dancer herself, takes the reader onto the competition floor and into the lights and the glamour of a world of tanned bodies and glittering attire, exploring the allure of this hyper-competitive, difficult, and often expensive activity. In a vivid ethnography accompanied by beautiful photographs of all levels of dancers, from the world’s top competitors to social dancers, Ericksen examines the ways emotional labor is used to create intimacy between professional partners and between professionals and their students, illustrating how dancers purchase intimacy. She shows that, while at first glance, ballroom presents a highly gendered face with men leading and women following, dancing also transgresses gender.

Evidence and Agency is concerned with the question of how, as agents, we should take evidence into account when thinking about our future actions. Suppose you are promising or resolving to do something that you have evidence is difficult for you to do. For example, suppose you are promising to be faithful for the rest of your life, or you are resolving to quit smoking. Should you believe that you will follow through, or should you believe that there is a good chance that you won't? If you believe the former, you seem to be irrational since you believe against the evidence. Yet if you believe the latter, you seem to be insincere since you can't sincerely say that you will follow through. Hence, it seems, your promise or resolution must be improper. Nonetheless, we make such promises and resolutions all the time. Indeed, as the examples illustrate, such promises and resolutions are very important to us. The challenge is to explain this apparent inconsistency in our practice of promising and resolving. To meet this challenge, Berislav Marusic considers a number of possible responses, including an appeal to 'trying', an appeal to non-cognitivism about practical reason, an appeal to 'practical knowledge', and an appeal to evidential constraints on practical reasoning. He rejects all these and defends a solution inspired by the Kantian tradition and by Sartre in particular: as agents, we have a distinct view of what we will do. If something is up to us, we can decide what to do, rather than predict what we will do. But the reasons in light of which a decision is rational are not the same as the reasons in light of which a prediction is rational. That is why, provided it is important to us to do something we can rationally believe that we will do it, even if our belief goes against the evidence.