Of all the enormous monuments throughout Egypt and Nubia that Ramesses II (the Great; ca. 1279-1212 BCE) left behind, his temple at Abydos, built early in his reign, stands as one of his most elegant monuments, with its simple architectural layout and dramatic and graceful painted relief scenes. Though best known for its dramatic reliefs depicting the battle of Kadesh, the temple also offers a wealth of information about religious and social life in ancient Egypt. It reflects, for example, the strenuous efforts of the early Ramessides to reestablish the Osiris cult in Egypt--and particularly at Abydos--in the aftermath of the Amarna period. Over a seven-year period, the authors of The Temple of Ramesses II in Abydos conducted a field project with the aim of producing an up-to-date and comprehensive architectural, photographic, and epigraphic record of the temple. This lavish volume, the second of two documenting their results, presents miscellaneous elements of the temple, including the pillars, as well as translations of the inscriptions found in the temple. Volume 1, "Wall Scenes," contains more than two hundred detailed line drawings--accurately rendered according to modern epigraphical standards--of the temple's carved relief scenes, placed alongside their corresponding full-color photographs. The result is a masterpiece of modern epigraphic research and publication.

Of all the enormous monuments throughout Egypt and Nubia that Ramesses II (the Great; ca. 1279-1212 BCE) left behind, his temple at Abydos, built early in his reign, stands as one of his most elegant, with its simple architectural layout and dramatic and graceful painted relief scenes. Though best known for its dramatic reliefs depicting the battle of Kadesh, the temple also offers a wealth of information about religious and social life in ancient Egypt. It reflects, for example, the strenuous efforts of the early Ramessides to reestablish the Osiris cult in Egypt-and particularly at Abydos-in the aftermath of the Amarna period. Building on the comprehensive photographic and epigraphic documentation of the temple presented in The Temple of Ramesses II at Abydos volumes 1 (Wall Scenes) and 2 (Pillars, Niches, and Miscellanea), volume 3 (Architectural and Inscriptional Features) offers a detailed analysis of the overall architectural layout and decorative program of the temple and its symbolism. This discussion approaches the religious history of the site through its archaeology, its inscriptions-both planned and secondary (graffiti)-and its situation in the complex religious landscape of Abydos. Of particular interest are the temple's role as a staging point for the great Osiris Festival and its procession, among the most important of all ritual events in the Egyptian religious calendar during the Ramesside period; the promotion of an active, unbound form of Osiris; and the evidence for important cult activities that took place on the rooftop of the temple, the presence of which is documented today by the staircase that accessed it from Court B.

2 parts, xiv, 268p (Part 1) + x, 212p (Part 2), more than 200 col photos & 200 line drawings

The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.