This book contains the first published results of Schwaller's 12 years of research at the temple of Luxor and its implications for interpreting the symbolic and mathematical processes of the Egyptians through their sacred architecture.

R. A. Schwaller de Lubicz (1887-1961), one of the most important Egyptologists of this century, links the sacred science of the Ancients to its rediscovery in our own time. Sacred Science represents the first major breakthrough in understanding ancient Egypt and identifies Egypt, not Greece, as the cradle of Western thought, theology, and science.

The theme of Nature Word is the intelligence of the heart, the innate, functional consciousness, or way of thinking, that is in harmony with nature and able to understand life and living things.

A temple cat in ancient Egypt grows tired of being worshiped and cared for in a reverent fashion and travels to the seaside, where she finds genuine affection with a fisherman and his children.

Reveals how the Federal Reserve under Paul Volcker engineered changes in America's economy.

More than 700 photographs and line illustrations documenting the ancient Egyptian temples of Karnak • A magnificent excursion that explores the monuments, ruins, statues, and bas-reliefs from the ancient and highly developed civilization of Egypt • The only complete photographic record available of this important acheological treasure • Contains 600 photographs by two top French award-winning photographers This book is a magnificent excursion led by R. A. Schwaller de Lubicz to the monuments, ruins, statues, and bas-reliefs of the temples of Karnak. With nearly 600 photographs by Georges and Valentine de Mire, more than 450 of which are full-page plates, this volume is the only complete photographic record of this important historic site. Because of recent vandalism many of the artifacts are no longer intact, and it is no longer possible to see many of the details captured in these images. This promenade through the temples of Karnak reveals the remains of a world devoted to an unimpeachable faith in the afterlife, a faith whose conviction seems to have exalted its builders and artists, as was the case for several brief centuries with those who constructed the cathedrals of the Middle Ages. One did not work at fashioning these stones, nor were these works sculpted under someone's strict authority; here it was necessary to act out of the heart. Every gesture in the depictions, every arrangement in the buildings, is a hieroglyph from the symbolic language of the sages who spoke to spirit and consciousness.

This is a new release of the original 1941 edition.