The Tears of the Earth, without pretense, practically holds court for environmental or eco-concerns with global ripples, staking a legitimate claim as a landmark tributary to the mainstream discourse and current debates on global warming and climate change, especially by portraying Africa, still trapped and anaesthetized in the web of post-colonial vassalage, compelled to mortgage her natural resources for savage exploitation with little or no regard to either environmental impact or sustainability. The poems are an expression of the author’s noble indignation at society’s governing elite for allowing collective natural resources “Mother Earth’ to be callously butchered, so ingloriously ransacked, liberally poisoned and gagged “Beyond Recognition” for mere lucre or “Midas’ touch” which procures and sustains the infernal binary of “Power and Pride” deified by our societies.

The Tears of the Earth, without pretence, practically holds court for environmental or eco-concerns with global ripples, staking a legitimate claim as a landmark tributary to the mainstream discourse and current debates on global warming and climate change, especially by portraying Africa, still trapped and anaesthetized in the web of post-colonial vassalage, compelled to mortgage her natural resources for savage exploitation with little or no regard to either environmental impact or sustainability. The poems are an expression of the authors noble indignation at societys governing elite for allowing collective natural resources Mother Earth to be callously butchered, so ingloriously ransacked, liberally poisoned and gagged Beyond Recognition for mere lucre or Midas touch which procures and sustains the infernal binary of Power and Pride deified by our societies.

The classic pacifist novel by a major Polish writer, who was nominated for the Nobel Prize At the beginning of the twentieth century the villagers of the Carpathian mountains lead a simple life, much as they have always done. Among them is Piotr, a bandy-legged peasant, who wants nothing more from life than an official railway cap, a cottage, and a bride with a dowry. But then the First World War reaches the mountains and Piotr is drafted into the army. All the weight of imperial authority is used to mould him into an unthinking fighting machine, forced to fight a war he does not understand, for interests other than his own. The Salt of the Earth is a classic war novel and a powerfully pacifist tale about the consequences of war for ordinary men.

“Bryan Davis writes with the scope of Tolkien, the focus of Lewis, the grandeur of Verne, and most of all the heart of Christ.” —Jeremiah F., reader Billy and Bonnie won the battle but how will they win the war? Billy and Bonnie’s hard-won victory in Circles of Seven came at a great cost as a vicious evil was unleashed on the earth. With Billy’s father missing, Billy and Bonnie must lead the dragons into war against the demonic beings known as Watchers. But in order to win the war, an ultimate sacrifice must be made, and Billy and Bonnie will be forced to make the greatest decision of their lives—a choice that will change their world forever. The fourth and final installment in the Dragons in our Midst series will leave you cheering, crying, and wishing for more adventures with these two friends.

“When you first view Rose-Lynn Fisher’s photographs, you might think you’re looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you’re looking at her tears. . . . [There’s] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher’s images are the only remaining trace of these places, which exist during a moment of intense feeling—and then vanish.” —NPR “[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion.” —Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper’s, New Yorker, Time, Wired, Reader’s Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.

A “poignant [and] powerful” novel about a 1920s Midwestern community in the aftermath of a devastating tornado (The New Yorker). In March 1925, the worst tornado in the nation’s history will descend without warning on the small town of Marah, Illinois. By nightfall, hundreds will be homeless and hundreds more will lie in the streets, dead or grievously injured. Only one man, Paul Graves, will still have everything he started the day with—his family, his home, and his business, all miraculously intact. This “absolutely gorgeous” novel follows Paul Graves and his young family in the year after the storm as they struggle to comprehend their own fate and that of their devastated town (The New York Times). They watch helplessly as Marah tries to resurrect itself from the ruins and as their friends and neighbors begin to wonder how one family, and only one, could be exempt from terrible misfortune. As the town begins to recover, the family miscalculates the growing resentment and hostility around them with tragic results, in an “extraordinarily moving” portrayal of survivor’s guilt and the frenzy of bereavement following a disaster (Financial Times). “All the big themes are here—chance, fate, loyalty, revenge, guilt, jealousy . . . Inspired by actual events surrounding the 1925 Tri-State tornado, the worst in U.S. history, Southwood’s poignantly penetrating examination of the psychic cost of survival is breathtaking in its depth of understanding.” —Booklist (starred review) “What’s most exciting about Southwood’s debut is her prose, which is reminiscent of Willa Cather’s in its ability to condense the large, ineffable melancholy of the plains into razor-sharp images.” —The Daily Beast

In the peaceful fictional town of Blissville in the Olympic Peninsula of Washington State, a land developer is planning on building a strip mall on fifty acres of property on sacred Indian burial ground. The people of the town have talked to him about not building this mall, but he wont listen. Mother Nature takes over and makes sure this land is safe from the construction. Enjoy this heartfelt, mystical story and learn about the wonderful yearly event of the Native American canoe journey, with its customs and traditions. This story is for all ages.