According to Egyptian mythology, when the ancient Egyptian sun god Re cried, his tears turned into honey bees upon touching the ground. For this reason, the honey bee was sacrosanct in ancient Egyptian culture. From the art depicting bees on temple walls to the usage of beeswax as a healing ointment, the honey bee was a pervasive cultural motif in ancient Egypt because of its connection to the sun god Re. Gene Kritsky delivers a concise introduction of the relationship between the honey bee and ancient Egyptian culture, through the lenses of linguistics, archeology, religion, health, and economics. Kritsky delves into ancient Egypt's multifaceted society, and traces the importance of the honey bee in everything from death rituals to trade. In doing so, Kritsky brings new evidence to light of how advanced and fascinating the ancient Egyptians were. This richly illustrated work appeals to a broad range of interests. For archeology lovers, Kritsky delves into the archeological evidence of Egyptian beekeeping and discusses newly discovered tombs, as well as evidence of manmade hives. Linguists will be fascinated by Kritsky's discussion of the first documented written evidence of the honeybee hieroglyph. And anyone interested in ancient Egypt or ancient cultures in general will be intrigued by Kritsky's treatment of the first documented beekeepers. This book provides a unique social commentary of a community so far removed from modern humans chronologically speaking, and yet so fascinating because of the stunning advances their society made. Beekeeping is the latest evidence of how ahead of their times the Egyptians were, and the ensuing narrative is as captivating as every other aspect of ancient Egyptian culture.

Well-documented study of bees, hives, and beekeepers, along with rare illustrations as they appear in ancient paintings, sculpture, on coins, jewelry, and Mayan glyphs.

This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.

Mythology is a subject that has entertained people for thousands of years. These stories of gods and supernatural beings of the distant past are important in explaining how things came to be and are an integral part of societies. Insect myths are numerous and widespread in mythology, but have received little attention. This is the first book dedicated specifically to showing the important roles insects have played in mythology. This is a comprehensive and readable survey of insect myths from around the world. The book ranges from older, better-known insect myths such as sacred scarabs to new unpublished subjects such as insects as examples of parallel mythology. Numerous black and white figures are found in the book including new figures not previously seen in entomological literature. How insects are related to larger themes of mythology such as symbols and parallel mythology is discussed. Insects in Old World mythology (Egypt, China, etc.) and New World mythology (Native American, Mayan, etc.) are featured. This book brings to light the fascinating role that insects played in mythology and is the most comprehensive and authoritative reference on the subject.

“Bryan Davis writes with the scope of Tolkien, the focus of Lewis, the grandeur of Verne, and most of all the heart of Christ.” —Jeremiah F., reader Billy and Bonnie won the battle but how will they win the war? Billy and Bonnie’s hard-won victory in Circles of Seven came at a great cost as a vicious evil was unleashed on the earth. With Billy’s father missing, Billy and Bonnie must lead the dragons into war against the demonic beings known as Watchers. But in order to win the war, an ultimate sacrifice must be made, and Billy and Bonnie will be forced to make the greatest decision of their lives—a choice that will change their world forever. The fourth and final installment in the Dragons in our Midst series will leave you cheering, crying, and wishing for more adventures with these two friends.

“A hard-hitting sermon on the racial divide, directed specifically to a white congregation.” —Kirkus Reviews, starred review A New York Times, Los Angeles Times, Washington Post, and Boston Globe Bestseller As the country grapples with racial division at a level not seen since the 1960s, Michael Eric Dyson’s voice is heard above the rest. In Tears We Cannot Stop, a provocative and deeply personal call or change, Dyson argues that if we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, and discounted. In the tradition of James Baldwin’s The Fire Next Time—short, emotional, literary, powerful—this is the book that all Americans who care about the current and long-burning crisis in race relations need to read. Praise for Tears We Cannot Stop Named a Best/Most Anticipated Book of 2017 by: The Washington Post • Bustle • Men’s Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York’s Bill’s Books • Kirkus Reviews • Essence “Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish.” —Toni Morrison “Here’s a sermon that’s as fierce as it is lucid . . . If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen.” —Stephen King “One of the most frank and searing discussions on race . . . a deeply serious, urgent book, which should take its place in the tradition of Baldwin’s The Fire Next Time and King’s Why We Can’t Wait.” —The New York Times Book Review

A writer of rare imagination, Sarah Ash lends her unique vision to epic fantasy. In this captivating continuation of her saga, the author of Lord of Snow and Shadows revisits a realm filled with spirits and singers, daemons and kings. . . . Gavril Nagarian has finally cast out the dragon-daemon from within himself. The Drakhaoul is gone—and with it all of Gavril’s fearsome powers. No longer possessed, he is instead being driven mad by the Drakhaoul’s absence. Worse, he has betrayed his blood, his people, and put the ice-bound princedom of Azhkendir at risk—and lost.At the mercy of the victorious Eugene of Tielen, Gavril is sentenced to life in an insane asylum. For the power-hungry Eugene longs to possess a Drakhaoul of his own, and his prisoner seems the best way to achieve that goal. Meanwhile, a shattered empire reunites. But peace is as fragile as a rebel’s whisper—and a captive’s wish to be free. . . . Praise for Prisoner of the Iron Tower “A new fantasy series [that] will leave readers drooling to get their hands on the sequel.”—Publishers Weekly “Solid, wonderful fantasy, sparkling and imaginative!”—Booklist “Ash takes her large and colorful cast of characters from horror to pathos, from triumph to betrayal, smoothly and convincingly. a roller-coaster ride of events and emotions in the best modern fantasy manner.”—Kirkus Reviews