Kate Fullerton, talented tea designer and now co-owner of The Tea Chest, could never have imagined that she'd be flying from Brisbane to London, risking her young family's future, to save the business she loves from the woman who wants to shut it down. Meanwhile, Leila Morton has just lost her job; and if Elizabeth Clancy had known today was the day she would appear on the nightly news, she might at least have put on some clothes. Both need to start again...When Kate's, Leila's and Elizabeth's paths unexpectedly cross, they throw themselves into realising Kate's magical vision of London's branch of the newest and most delectable tea shop, The Tea Chest. But every time success is within their grasp, increasing tensions damage their trust in each other. With the very real possibility that The Tea Chest will fail, Kate, Leila and Elizabeth must decide what's important to each of them. Are they willing to walk away or can they learn to believe in themselves?..An enchanting, witty novel about the unexpected situations life throws at us, and how love and friendship help us through. Written with heart and infused with the seductive scents of bergamot, Indian spices, lemon, rose and caramel, it's a world you won't want to leave.

A reinvestigation of brass inlaid furniture made between 1730-1760, usually attributed to the Channon workshop. Research indicates that there were five London cabinet makers specializing in this furniture. This is the catalogue for an exhibition in Leeds on 22nd September 1993 and later in London.

Boston, 1773 Emma Malcolm’s father is staunchly loyal to the crown, but Emma’s heart belongs to Noah Winslow, a lowly printer’s assistant and Patriot. But her father has promised her hand to Samuel Clarke, a rapacious and sadistic man. As his fiancée, she would have to give up Noah and the friends who have become like family to her—as well as the beliefs she has come to embrace. After Emma is drawn into the treasonous Boston Tea Party, Samuel blackmails her with evidence that condemns each participant, including Noah. Emma realizes she must do whatever it takes to protect those she loves, even if it means giving up the life she desires and becoming Samuel’s wife. Present Day Lieutenant Hayley Ashworth is determined to be the first woman inducted into the elite Navy SEALs. But before her dream can be realized, she must return to Boston in order to put the abuse and neglect of her childhood behind her. When an unexpected encounter with the man she once loved leads to the discovery of a tea chest and the document hidden within, she wonders if perhaps true strength and freedom are buried deeper than she first realized. Two women, separated by centuries, must find the strength to fight for love and freedom. . . and discover a heritage of courage and faith.

George Robert Twelves Hewes, a Boston shoemaker who participated in such key events of the American Revolution as the Boston Massacre and the Tea Party, might have been lost to history if not for his longevity and the historical mood of the 1830's. When the Tea Party became a leading symbol of the Revolutionary ear fifty years after the actual event, this 'common man' in his nineties was 'discovered' and celebrated in Boston as a national hero. Young pieces together this extraordinary tale, adding new insights about the role that individual and collective memory play in shaping our understanding of history.

The box represents great temptation. "Open me" it says. The human cannot resist it; its charm is overwhelming. So too, is the charm of this remarkable book, in which antique boxes and tea caddies - along with the people who inspired, made, and used them - dance gracefully through the pages. The reader is guided through the aesthetic, cultural, and social influences of the years covered, accumulating a deep understanding of the form, decoration, and purpose of eighteenth and nineteenth century boxes. The extensive text covers wooden, tortoiseshell, ivory, papier m*^ach*/e, and lacquer boxes. There are chapters on Anglo Indian, Scottish, Irish, Penwork, Straw work, and Tunbridge ware boxes, as well as on boxes made for special purposes. Captions include complete descriptions, values, and circa dates for all boxes shown. The 905 images include original drawings, magnificent photographs of complete pieces, and close-ups illustrating the structure and decoration of boxes. This is an indispensable companion for box collectors and reflects fascinating information about cultural forces that shaped the eighteenth and nineteenth centuries.

A perfect Common Core tie-in, The Hope Chest includes nonfiction backmatter with period photographs, historical notes about the suffrage movement, and a Voting in America timeline. It's also a New York State Curriculum title for fourth grade. Eleven-year-old Violet has one goal in mind when she runs away from home: to find her sister, Chloe. Violet’s parents said Chloe had turned into the Wrong Sort of Person, but Violet knew better. The only problem is that Chloe’s not in New York anymore. She's moved on to Tennesee where she's fighting for the right of women to vote. As Violet's journey grows longer, her single-minded pursuit of reuniting with her sister changes. Before long she is standing side-by-side with her new friends—suffragists, socialists, and colored people—the type of people whom her parents would not approve. But if Violet’s becoming the Wrong Sort of Person, why does it feel just right? This stirring depiction of the very end of the women's suffrage battle in America is sure to please readers who like their historical fiction fast-paced and action-packed. American Girls fans will fall hard for Violet and her less-than-proper friends.

An inheritance has reunited three estranged cousins. Their grandmother Lucy left Nessa, Flynn, and April her home nestled in the woods near Blossom, Texas, as well as a hope chest to be unlocked after they complete a special task. Together, they must hand-stitch a cherished quilt Lucy left unfinished. It meant everything to her. And now, to three people struggling with their own patchwork pasts . . .