This is the story of my journey, as an LGBT author and singer-songwriter navigating the ever-changing media landscape, and constant cultural upheavals of the early 21st century. My journey towards embracing a positive attitude to life, to our differences, and to the world in general. I have chosen to tell my story in the hope that it will inspire others, and I hope that more people do this too. I am grateful to the stories of other people, and their life journeys, for inspiring me over the years, and getting me through hard times. Life is interesting, and what we learn from it can be unexpected. I wish to contribute to the vast pool of stories already out there, in the hope that one day, my story could be useful to another person out there, who needs a bit of inspiration. This book combines content from my 2021 works 'A Trans Popstar's Story: Being Trans and Chasing Dreams During Quarterlife', 'Eight Lessons from my Quarter Life Period' and 'The Background and Context of Moral Libertarianism' to paint a complete picture of my journey so far.

Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes (1910–1995) was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 when Orson Welles recorded his earth-shattering “War of the Worlds” radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made one of her first TV appearances, Wickes appeared with her—and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, Wickes was asked to pose for animators trying to capture the evil of Cruella De Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.

"With a focus on infant and toddler development, authors Dr. Stacey Bromberg and Dr. Joe Taravella guide their readers toward a respect for all families in Hugs of Three: My Mommies and Me. From the first line, "My family is so special" to the conclusion, this story acknowledges the importance of a loving connection between children and their parents"--Page [4] of cover.

Featuring art and writing from the students of the Parkland tragedy, this is a raw look at the events of February 14, and a poignant representation of grief, healing, and hope. The students of Marjory Stoneman Douglas High School share their emotional journeys that began on February 14, 2018, and continue today. This revealing and unfiltered look at teens living in the wake of tragedy is a poignant representation of grief, anger, determination, healing, and hope. The intimate collection includes poetry, eyewitness accounts, letters, speeches, journal entries, drawings, and photographs from the events of February 14 and its aftermath. Full of heartbreaking loss, a rally cry for change, and hope for a safe future, these artistic pieces will inspire readers to reflect on their own lives and the importance of valuing and protecting the ones you love.

It all began with the dream. Ever since I was young, I had wanted to be somebody who participated in the cultural conversation, rather than just observe it. I was determine to be one of those who made the culture. I didn't know what I wanted to make, I didn't know what I wanted to say, but I knew I wanted to 'join the conversation', and help shape the culture. However, there were a few problems. Firstly, I didn't know how to get into those exclusive places where they make the culture, i.e. TV studios, Hollywood, established record labels, or at least your local radio station. I knew nobody who had any connection to that world, and it seemed like most people in that world were connected with each other. In other words, it seemed that you had to 'know the right people' to 'get the entry ticket'. Secondly, well, I'm trans. And back in the 1990s and 2000s, there certainly weren't any trans people I knew of, in those exclusive places where they made the culture.

The early 21st century is a time of unprecedented opportunity for those coming of age. It is a time when many young adults set out to achieve their dreams, be it starting their own business, starting a political movement, or propelling themselves to superstardom. Angelle's dream is to become Cultural Royalty of Pacificland, thus achieving what her mother couldn't. Her vision is based on freedom, dreams, love and fairness for all. However, she soon finds that whilst change appears to be in the air, the resistance is often even greater. And when the forces against change mobilise, those wanting a slice of success often bow to their agenda, while those fighting for change simply give up. With her own dreams on the line, will Angelle stay true to her values? And if she does, will it be enough to make a positive difference? Life isn't meant to be easy, but are there rewards for the brave at the end? BACKGROUND: The Princess's Spirit is an eternal ideal, based on values of optimism, bravery, vision, love and compassion. In different eras it manifests in different contexts. The first decade of the 21st century (2000-2009), often called the noughties, was both a time of hope and despair, for different reasons. It was a time when technology began to enable new ways of communication, with profound impact on culture and politics. In this way, it was a time of unprecedented opportunity. It was also a time when brave new ideas, like marriage equality for same-sex couples (which is explored in this book), began to be seriously considered. But this and other movements would face great difficulties before their eventual successes. Set against this context are many lives who fought for a better world, including the author herself. Whilst this is a fictional work, it has captured the spirit of the times as the author experienced it, and many of the little stories contained within were inspired partially by real life events experienced by the author and her friends.

"Twisty, grisly, genre-bending and immersive, Not Even Bones will grab you by the throat and drag you along as it gleefully tramples all of your expectations." —Sara Holland, New York Times best-selling author of Everless Dexter meets This Savage Song in this dark fantasy about a girl who sells magical body parts on the black market—until she’s betrayed. Nita doesn’t murder supernatural beings and sell their body parts on the internet—her mother does that. Nita just dissects the bodies after they’ve been “acquired.” Until her mom brings home a live specimen and Nita decides she wants out; dissecting a scared teenage boy is a step too far. But when she decides to save her mother’s victim, she ends up sold in his place—because Nita herself isn’t exactly “human.” She has the ability to alter her biology, a talent that is priceless on the black market. Now on the other side of the bars, if she wants to escape, Nita must ask herself if she’s willing to become the worst kind of monster. Now available as a Webtoon!