The Tapestry of Culture: An Introduction to Cultural Anthropology provides students and the interested public with a concise picture of the field of cultural anthropology today. From the first edition of Tapestry of Culture published in the early 1980s until now, anthropology has changed greatly, responding to scholarly and political influences as well as changing generations; the ninth edition reflects this ongoing transformation. The influence of postmodernism has generated new debates over theory and practice in anthropology. The content of Tapestry explains these debates, as well as what is still generally accepted and agreed upon by most anthropologists. This edition provides the instructor, student and lay public with the information necessary to enable them to critically read the literature of anthropology, more specifically ethnographic texts which are still the heart of this field. The approach of the book is to accommodate the various points of view in anthropology today. It shows how the concepts, ideas and behavior of other cultures are translated into our culture's terms. Though today many emphasize each culture's uniqueness, the presence of cultural similarities is compelling. Using a comparative approach, The Tapestry of Culture reveals cultural similarities, as well as the cultural differences.

The most exciting thing about anthropology is that it enables the student to become acquainted with people of different cultures. The Tapestry of Culture provides the student with the basic concepts necessary to understand these different cultures while showing that cultural variations occur within certain limits. Though the forces of globalization have caused cultures of the world around us to become increasingly similar, the book shows that people nevertheless cling to ethnic identities, and their cultural distinctiveness. The tenth edition of this popular textbook incorporates new material throughout, such as ethnographic examples in every chapter; strengthened discussions of gender, transnationalism, and globalization; and more. To enhance the experience of both instructors and students, the tenth edition is accompanied by a learning package that includes an instructor’s manual with outlines, key terms, discussion questions, lists of films and other resources, and more; a test bank; and a companion website.

Professionals engaged in art therapy discuss aspects of practice which are affected by an environment of increasing cultural diversity. Some contributions examine problems faced by members of ethnic minorities who are caught between assertion of their cultural identities and assimilation into a different social milieu.

More than forty years afterleaving her native New Orleans as a young woman, Leta Weiss Marks awakened to the realization that her family history there was almost beyond the horizon of living memory. Rescuing it, for herself and posterity, became her mission and brought her home again. In a compelling, elegant blend of fact and fiction, Marks weaves a tapestry of family members and events, drawing mainly upon interviews with her nonagenarian mother and aunt. Letters, archival research, and Marks’s own recollections and imagination also contribute to the composition, which she calls “a song of myself and my family.” At the center are Marks’s mother and father, and the highs and lows of their courtship and marriage. Caroline Dreyfous was born into a prominent Jewish family of New Orleans; Leon Weiss, seventeen years her senior, always struggled to gain their acceptance. He was an ambitious, talented architect, the driving force in the famous firm of Weiss, Dreyfous and Seiferth, chosen by Huey Long to design the new state capitol and governor’s mansion, New Orleans’ Charity Hospital, and other landmarks. He also was implicated in the “Louisiana Scandals” and sentenced to two years in federal prison. Time’s Tapestry is in part Marks’s attempt to peel back her mother’s reticent yet unwavering loyalty toward her father and understand this man, who died when Marks was only twenty-one and preparing to move to Connecticut. Stories and memories of three generations of the Dreyfous branch of the family tree complete Marks’s portrait. She makes vivid not only the personalities of her kin but also the times in which they lived, conjuring the New Orleans of her great-grandfather, grandparents, parents, and own childhood—segregation, the alternate inclusion and exclusion of the Jewish community, the fervid politics of the Long era—and juxtaposing those scenes with her experiences as an adult returning to visit her family in a greatly changed city. Charming and evocative, a superb example of creative nonfiction—Time’s Tapestry makes for both an intimate family album and a priceless record of New Orleans’ cultural, social, and political history.

With special reference of Zoroastrians/Parsees development in Iran and India, particularly in Mumbai.

"Why do the first generation still act like that?" "Why can't we try some new ideas?" "Why are the second generation so lazy?" "Why are the second generation so disrespectful?" "Isn't it a shame how the church is split between the two generations?" These and many more questions reflect the tangled conflicts within the Asian American church. Cultural differences have led to many misunderstandings and conflicts. Conflicts have created bitterness and churches have split apart. How can these tangled threads be rewoven into a beautiful tapestry of God's grace? What would it take for the Asian American church to reflect God's grace? In Tapestry of Grace, Dr. Benjamin C. Shin and Dr. Sheryl Takagi Silzer apply their years of study and teaching to explain how the cultural complexities that occur between the different generations of the Asian American church can be untangled. Taking lessons from their own spiritual journeys, they show how each generation can experience the amazing grace of the Gospel.

In this original study, Vernon Robbins expounds and develops his system of socio-rhetorical criticism, bringing together social-scientific and literary-critical approaches to explore early Christianity.