There are a lot of stand-up comedy books out there. This book is like none of them. It is about the Art of Comedy, the Zen of Comedy, the Tao of Comedy. It is comedy from the soul instead of the head. It is about Ego-less comedy. Don't Act. Be. You don't do standup comedy; it does you.

This book presents a comprehensive guide to all the variables that can come into play when we come into contact with comedy.

Full of revealing portraits of many of the best-known comedic talents of the 1970s, "I'm Dying Up Here" is also a poignant tale of the price of success and the terrible cost of failure--professional and moral.

A paradigm shift in understanding the mechanics and art of comedy, providing practical tools that help writers translate that understanding into successful, commercial scripts. Kaplan deconstructs secrets and techniques in popular films and TV that work and don't work, and explains what tools were used (or should have been used ).

One would think that with her impressive list of bestselling self-improvement memoirs Jen Lancaster would have it all together by now. One would be wrong. After all, she’s no Martha Stewart. And that’s why Jen is going to Martha up and live her life according to the advice of America’s overachieving older sister—the woman who turns lemons into lavender-infused lemonade. By immersing herself in Martha’s media empire, Jen embarks on a yearlong quest to take herself, her house, her husband (and maybe even her pets) to the next level—from closet organization to party planning. Maybe Jen can avoid food poisoning if she follows Martha’s dictates on proper storage. Maybe she can rid her workout clothes of meatball stains by using Martha’s laundry tips. Maybe she can create a more meaningful anniversary celebration than getting drunk in the pool with her husband. Again. And maybe she’ll discover that the key to happiness does, in fact, lie in Martha’s perfectly arranged cupboards and charcuterie platters.

A Decade of Dark Humor analyzes ways in which popular and visual culture used humor-in a variety of forms-to confront the attacks of September 11, 2001 and, more specifically, the aftermath. This interdisciplinary volume brings together scholars from four countries to discuss the impact of humor and irony on both media discourse and tangible political reality. Furthermore, it demonstrates that laughter is simultaneously an avenue through which social issues are deferred or obfuscated, a way in which neoliberal or neoconservative rhetoric is challenged, and a means of forming alternative political ideologies. The volume's contributors cover a broad range of media productions, including news parodies (The Daily Show with Jon Stewart, The Colbert Report, The Onion), TV roundtable shows (Politically Incorrect with Bill Maher), comic strips and cartoons (Aaron McGruder's The Boondocks, Jeff Danzinger's editorial cartoons), television drama (Rescue Me), animated satire (South Park), graphic novels (Art Spiegelman's In the Shadow of No Towers), documentary (Fahrenheit 9/11), and other productions. Along with examining the rhetorical methods and aesthetic techniques of these productions, the essays place each in specific political and journalistic contexts, showing how corporations, news outlets, and political institutions responded to-and sometimes co-opted-these forms of humor.

People love Bill Murray movies, but even more, they love crazy stories about Bill Murray out in the world. Bill reads poetry to construction workers. Bill joins in strangers' kickball games. Bill steals a golf cart in Stockholm. Bill follows the Roots – a hip hop band – around. Bill pays a kid $5 to ride his bicycle into a swimming pool. The most popular Bill Murray story of all time (which he will neither confirm nor deny): on a crowded street, he puts his hands over a stranger's eyes from behind and says "Guess who?" When he lifts his hands to reveal his identity as Bill Murray, he tells the gobsmacked stranger, "No one will ever believe you." For The Tao of Bill Murray: Real-Life Stories of Joy, Enlightenment, and Party Crashing, best-selling author Gavin Edwards tracked down the best authentic Bill Murray stories. People savour these anecdotes; they consume them with a bottomless hunger; they routinely turn them into viral hits. The book not only has the greatest hits of Bill's eye-opening interactions with the world, it puts them in the context of a larger philosophy (revealed to the author in an exclusive interview): Bill Murray is secretly teaching us all how to live our lives.