This book is about how extreme situations appearing to have a destructive potential can actually be used to produce meaningful individual and social lives. It is about the “taming of fate”. This notion means and accounts for the ability of individuals and communities to rebuild their lives against all odds. The book is based on case-studies that draw from theoretical insights derived from the sociology of disasters. It addresses some limitations of the sociology of risk, chief among which is the rejection of the relevance of the notion of risk to the study of technologically non-advanced societies. The book argues that this rejection has deprived the study of the human condition of an important analytical asset. The book claims that risk is a property of social action which can best be understood through the analytical scrutiny of its role in the historical constitution of social relations.

This book is about how extreme situations appearing to have a destructive potential can actually be used to produce meaningful individual and social lives. It is about the taming of fate. This notion means and accounts for the ability of individuals and communities to rebuild their lives against all odds. The book is based on case-studies that draw from theoretical insights derived from the sociology of disasters. It addresses some limitations of the sociology of risk, chief among which is the rejection of the relevance of the notion of risk to the study of technologically non-advanced societies. The book argues that this rejection has deprived the study of the human condition of an important analytical asset. The book claims that risk is a property of social action which can best be understood through the analytical scrutiny of its role in the historical constitution of social relations.

A newly translated volume of the centuries-old spiritual epic of King Gesar. For centuries, the epic tale of Gesar of Ling has been told across Asia. This epic is a living oral tradition, performed widely by singers and bards and beloved especially in Tibet. Considered the longest single piece of literature in the world canon, the epic of Gesar chronicles the legend of King Gesar of Ling, a heroic figure known for his fearless leadership. The epic encompasses some 120 volumes and nearly 20 million words, and there are numerous versions across cultures. This book is the first English translation of the fourth volume of this sweeping literary work, with stories from after Gesar's coronation to the throne of Ling. This volume focuses on battles won and strategies applied, as the warrior-king Gesar fended off demons and liberated his foes. Though largely a violent account focused on his superhuman prowess in battle, this volume is rich with ethical proverbs that inform Tibetan culture to this day. A significant work of legend, the epic of Gesar is also a vital part of Tibetan Buddhism, as Gesar is said to have been chosen by celestial beings to restore order and destroy anti-Buddhist forces. The epic of Gesar is the cultural touchstone of Tibet, analogous to the Iliad or the Odyssey. While Book One covers Gesar's birth, youth, and rise to power, this volume recounts the martial victories and magical feats that made him a legendary figure to so many.

Modern Japan offers us a view of a highly developed society with its own internal logic. Eiko Ikegami makes this logic accessible to us through a sweeping investigation into the roots of Japanese organizational structures. She accomplishes this by focusing on the diverse roles that the samurai have played in Japanese history. From their rise in ancient Japan, through their dominance as warrior lords in the medieval period, and their subsequent transformation to quasi-bureaucrats at the beginning of the Tokugawa era, the samurai held center stage in Japan until their abolishment after the opening up of Japan in the mid-nineteenth century. This book demonstrates how Japan’s so-called harmonious collective culture is paradoxically connected with a history of conflict. Ikegami contends that contemporary Japanese culture is based upon two remarkably complementary ingredients, honorable competition and honorable collaboration. The historical roots of this situation can be found in the process of state formation, along very different lines from that seen in Europe at around the same time. The solution that emerged out of the turbulent beginnings of the Tokugawa state was a transformation of the samurai into a hereditary class of vassal-bureaucrats, a solution that would have many unexpected ramifications for subsequent centuries. Ikegami’s approach, while sociological, draws on anthropological and historical methods to provide an answer to the question of how the Japanese managed to achieve modernity without traveling the route taken by Western countries. The result is a work of enormous depth and sensitivity that will facilitate a better understanding of, and appreciation for, Japanese society.

The Elves and Rebens are locked in an endless battle of bloodshed and sorrow that not only destroys them, but also every soul on Atoria. Death, terror, and anguish ravage every land touched by the claws and fangs of the ruthless Rebens that are led by the ancient demon, Ood-Durak. But all hope is not lost. In the sacred book of the Moa called the Neo-Kindle, a prophecy is told of a mighty warrior that will come to erase the presence of Ood-Durak. This man will be a hybrid of Reben and Elf. He will cleanse Atoria of evil with his twin blades and astonishing strength. Gruff is the embodiment of this prophecy. As the two sides of his persona fight for his soul, Gruff must choose which one he and his devastating swords will follow. On a journey that takes him to foreign lands and against powerful men and savage creatures, Gruff struggles to restrain the red-eyed beast raging inside him.

This book engages with the question of making sense of seeing in today’s technologically dominated world. It does so by exploring the notion of the ‘hypermodern’, a term which is used to capture the drive in contemporary culture to achieve ever greater speed and efficiency. The volume draws principally on the thought of Paul Virilio and Friedrich Nietzsche. The text’s key argument is that destabilizing tendencies, which become increasingly evident in hypermodern culture, spring from its having a dual character. This duality turns on hypermodernity’s uncomfortable, unstable and possibly unsustainable relation to its own past. The volume engages with this dual character in a unique way. Its discussions are prefaced by poems and photographic images which together frame and permeate the text’s arguments and analyses. Part One offers linked engagements with Virilio’s articulation of the hypermodernized cultural-visual environment, Nietzsche’s accounts of history, power and archaic visuality, and briefer discussions of various other writers. Part Two presents a creative elaboration of these engagements through a combination of poetry, image and aphorism. Through this combination the digital image, a quintessentially hypermodern form of representation, is turned against itself to allow for reflection on the ethics and politics of seeing today. The volume concludes with an open-ended dialogue on visual culture, the archaic and the hypermodern.