The Tamer Tamed is the subtitle or alternative title to John Fletcher's The Woman's Prize, a comedic sequel and reply to The Taming of the Shrew. The plot switches the gender roles of Shakespeare's play: the women seek to tame the men. Katherine (the "shrew" of the original) has died, and Petruchio takes a second wife, Maria. Maria denounces her former mildness and vows not to sleep with Petruchio until she "turn him and bend him as [she] list, and mold him into a babe again." After many comedic exchanges and plot twists, Petruchio is finally "tamed" in the eyes of Maria, and the play ends with the two reconciled. The play is seen to reflect how society's views of women, femininity, and "domestic propriety" were beginning to change. It is said that Fletcher wrote this play to attract Shakespeare's attention - the two went on to collaborate on at least three plays together. This brand new New Mermaid edition offers unique and fresh insight into the critical interpretation of the play. It builds on current critical foundations (the relationship with Taming of the Shrew, gender relations etc) and suggests different areas of interest (popular associations of the shrew, the question of reputation, and a re-examination of the play's structure). as well as examining stage history and recent productions.

Control dinosaurs. Tame women. Rule the world.With the defeat of Wyss, Victor has taken out his most deadly adversary yet and added loyal survivors to his tribe.But Dinosaurland has ways of keeping everyone on their toes.Distant smoke to the east alerts Victor that potential allies are in trouble, so he must choose between making a long journey without his most powerful friends, or losing the opportunity to advance the technology of his tribe.

The Tamer Tamed is the subtitle or alternative title to John Fletcher's The Woman's Prize, a comedic sequel and reply to The Taming of the Shrew. The plot switches the gender roles of Shakespeare's play: the women seek to tame the men. Katherine (the "shrew" of the original) has died, and Petruchio takes a second wife, Maria. Maria denounces her former mildness and vows not to sleep with Petruchio until she "turn him and bend him as [she] list, and mold him into a babe again." After many comedic exchanges and plot twists, Petruchio is finally "tamed" in the eyes of Maria, and the play ends with the two reconciled. The play is seen to reflect how society's views of women, femininity, and "domestic propriety" were beginning to change. It is said that Fletcher wrote this play to attract Shakespeare's attention - the two went on to collaborate on at least three plays together. This brand new New Mermaid edition offers unique and fresh insight into the critical interpretation of the play. It builds on current critical foundations (the relationship with Taming of the Shrew, gender relations etc) and suggests different areas of interest (popular associations of the shrew, the question of reputation, and a re-examination of the play's structure). as well as examining stage history and recent productions.

The USA Today bestselling authors of the Brothers O'Brien series now present the untold saga of Shawn O'Brien . . . A man who tamed the West—one town at a time Unlike his brothers Jacob, Sam, and Patrick, Shawn O'Brien isn't content to settle down on the family ranch in New Mexico Territory. With his razor-sharp eye, lightning-fast draw, and burning thirst for justice, Shawn is carving out a reputation of his own. As a town tamer he takes the most dangerous, lawless towns in the West and makes them safe for decent men, women, and children. When a stagecoach accident leaves Shawn stranded in Holy Rood, Utah, it doesn't take long to realize he's landed in one ornery circle of hell. Ruled by a cruel and cunning crook-turned-merciless dictator named Hank Cobb, Holy Rood is about as unholy a place as any on the frontier. Anyone who breaks Cobb's rules is severely punished. Anyone who defies Cobb's hooded henchmen dies by rope, stake, or guillotine. But Shawn O'Brien isn't just anyone. He's the town tamer. And this time, he's going to paint the town red . . .

Summoned to the royal palace by the King, Alaith spends his days either handling the dragons that plague the kingdom, or holed up in his lonely tower. Unusual in appearance, manner, and his method of taming dragons rather than slaying them, his only distractions from his painfully outcast state are caring for the tamed dragon who resides with him, and admiring the handsome Lord Trey—and arguing with the infuriating Prince Rythe.

Most government programs seeking to aid democracy abroad do not directly confront dictators. This book explains how organizational politics 'tamed' democracy assistance.