First published in 1999. The many available scholarly works on Italian-Americans are perhaps of little practical help to the undergraduate or high school student who needs background information when reading contemporary fiction with Italian characters, watching films that require a familiarity with Italian Americans, or looking at works of art that can be fully appreciated only if one understands Italian culture. This basic reference work for non-specialists and students offers quick insights and essential, easy-to-grasp information on Italian-American contributions to American art, music, literature, motion pictures and cultural life. This rich legacy is examined in a collection of original essays that include portrayals of Italian characters in the films of Francis Coppola, Italian American poetry, the art of Frank Stella, the music of Frank Zappa, a survey of Italian folk customs and an analysis of the evolution of Italian-American biography. Comprising 22 lengthy essays written specifically for this volume, the book identifies what is uniquely Italian in American life and examines how Italian customs, traditions, social mores and cultural antecedents have wrought their influence on the American character. Filled with insights, observations and ethnic facts and fictions, this volume should prove to be a valuable source of information for scholars, researchers and students interested in pinpointing and examining the cultural, intellectual and social influence of Italian immigrants and their successors.

"The world is touched and stands forth," writes Mary Kinzie in this book of seductive poetic experiment. In lines by turns fragmented and reflective, she shatters and reassembles such curiosities as an engraving by Albrecht Durer and the portrait of a notorious suicide whose children develop a secret telepathy. In one of her many powerful longer pieces, she collects glittering shards from myriad versions of the Cinderella story: Was the young girl running out of it because --recall the blood within the shoe?-- it hurt her? Kinzie's verse moves mysteriously between folk-lore and urban devastation, between white magic and the concoction of mood drugs in the modern laboratory. In each poem, she draws our attention to the chinks of light in the dark narratives that surround us, in a language animated by her sympathy and deep moral intelligence.

From the drifting sand dunes and quaint shops of Provincetown to Nantuckets whitewashed verandas and craggy beaches, Cape Cod Stories evokes all the rustic beauty and history of this picturesque area in the words of Americas best writers. With a striking new cover, this popular anthology is the next best thing to a summer on the Cape.

In this exceptional new collection, acclaimed poet Mary Kinzie opens her attention to the landscapes of the earth. Her poems of richly varied line lengths develop phrases at the syncopated pace of the observing mind: “Slag and synthesis and traveling fire / so many ways the groundwaves of distortion / pulse / through bedrock traffic and the carbon chain” she writes in the opening poem, “The Water-brooks.” Here, and throughout, her reflection on the natural world embraces the damages of time to which we can bear only partial witness but to which the human memory is bound. In the collection’s title poem, Kinzie goes on to explore her own romantic griefs alongside the adventures of T. S. Eliot, “inadvertently working on a suntan” as he tours the desert in the roadster of his American girlfriend, whose heart he will break. Kinzie’s conviction that sorrow, too, is a form of passion allows her to lift poems from shattered thoughts and long-ago losses, at times blending prose and verse in a combustible mixture. Determined not to prettify but still expressing fresh wonder at the beauty we stumble across in spite of our shortcomings, Kinzie delivers her bravest work yet in these new poems. O God invisible as air My tears have been my meat sweet because no noxious thing runs with themonly fragrant naïveté of the reflective midday when bank herb and wood flower and water from the pool can best be gathered also the knowledge that these gifts are tenuous and that the mouth and the harp might soon be strange to play