"The perfect dream-come-true-fairytale!" —Jason June, New York Times bestselling author of Jay's Gay Agenda and Out of the Blue “Effortlessly charming, funny, swoon-worthy, and sincerely moving.” —Julian Winters, award-winning author of Running With Lions #1 New York Times bestselling author Eric Geron delivers whirlwind wish-fulfillment in this story of a closeted crown prince and an out-and-proud cowboy who discover they were separated at birth. Edward Dinnissen leads a charmed life. He’s the Crown Prince of Canada, gets the royal treatment at his exclusive private school, and resides in a ritzy mansion. He thrives off being the perfect prince as he prepares for the Investiture Ceremony on his eighteenth birthday, the final step in his role as heir—and Canada’s future king. But this closeted Crown Prince has just one tiny problem: he’s unsure how to tell his parents, his beloved country, and his adoring fans that he’s gay. Billy Boone should be happy with the simple life. His family’s ranch is his favorite place in the world, he loves his small town, and his boyfriend is the cutest guy at Little Timber High. So why does it feel like something’s still missing? Maybe it has to do with the fact that this out-and-proud cowboy feels destined for something more . . . When Edward and Billy meet by chance in New York City, they discover that they are long-lost twins, and their lives are forever changed. Together, will these twin princes—“twinces”—be able to take on high school, coming out, and coronations? Or will this royal reunion quickly become a royal train wreck? “The enchanting cast of characters hooks you into a regal setting full of drama, romance, and intrigue, with relatable underlying journeys of self-love and struggle.” —Brian Zepka, author of The Temperature of Me and You

Tales of magic and wonder can be found in every phase of Jewish literature, from the sacred to the secular. The fairy tale in particular--set in enchanted lands and populated with a variety of human and supernatural beings, both good and evil--holds a very special place in the Jewish tradition. For in the fairy tale, where good and evil engage in a timeless struggle, we have a clear reflection of the Jewish world view, where faith in God can defeat the evil impulse. In Elijah's Violin, Howard Schwartz offers a sumptuous collection of thirty-six Jewish fairy tales from virtually every corner of the world. At once otherworldy and earthy, pious and playful, these celebrated tales from Morocco and India, Spain and Eastern Europe, Babylon and Egypt, illustrate not only their Jewish character but also their universality of themes. Invoking the biblical tale of David and Goliath, we read as King David defeats the giant by hovering above its spear in King David and the Giant. In the romantic tale of The Princess in the Tower, a variant of Rapunzel, we watch as the cautious King Solomon recognizes the vanity in trying to prevent Providence from taking place. And we see the religious nature of the quest for Elijah's violin in the title story. The successful completion of the king's quest enables the violin's imprisoned melodies, emblematic of the Jewish spirit, to be set free. Throughout this richly illustrated collection, one can find the quests and riddles of the traditional fairy tale along with the divine intervention that characterizes the Jewish fairy tale. Skillfully translated, these stories will captivate children and adults alike in which romance and magic become enchantingly entwined with faith, duty, and wisdom.

Far away, there is a beautiful island that belongs to a great and generous king. The king is good to his people, and they love him very much. But when an evil prince tricks the people into turning agianst their ruler, who will able to save them?

An English translation and a commentary on the chronicle of Queen Cama, an important but neglected female monarch who founded a dynasty in Northern Thailand.

CHILDHOOD CLASSICS - Ultimate Collection, comprising over 1400 tales, embraces a literary tapestry woven from the fabric of magic, adventure, fairytales, and legends. This anthology showcases the rich diversity and profound depth of literary styles, ranging from the whimsical enchantments of Lewis Carroll to the robust adventures of Mark Twain, underpinned by the universal themes of exploration, moral discovery, and the quest for understanding. Each story stands as a pillar of the genre, with the collection as a whole highlighting significant milestones and transformative narratives that have shaped our cultural heritage and continue to inspire generations of readers and writers alike. The contributing authors and editors, heralds of their time, brought forth a collective treasure trove that transcends the mere act of storytelling. Figures such as Jules Verne and Rudyard Kipling, with their forward-looking visions, Oscar Wilde with his incisive wit, and Harriet Beecher Stowe's poignant narratives, reflect a confluence of historical, cultural, and literary movements spanning from the Victorian era to the early 20th century. This assembly of legendary talents offers readers a unique window into the diverse contexts, values, and dilemmas that these stories navigated, highlighting the enduring relevance of these tales. CHILDHOOD CLASSICS - Ultimate Collection serves as an invaluable repository for those eager to embark on a journey through the landscapes of imagination and legacy. It appeals not only to young readers but also to adults who yearn to revisit the narratives that shaped their earliest reading experiences. This anthology presents a unique opportunity to explore a vast array of literary craftsmanship, themes, and the intricate interplay of cultural histories. Venturing into this collection promises a rewarding exploration of the worlds that have captivated hearts and minds, fostering a deeper appreciation for the art of storytelling and its power to reflect and shape the human condition.

This project provides an in-depth study of narratives about Bluebeard and his wives, or narratives with identifiable Bluebeard motifs, and the intertextual and extratextual personal, political, literary, and sociocultural factors that have made the tale a particularly fertile ground for an author’s adaptation of the story. Whereas Charles Dickens, for example, expresses a sympathetic identification with Bluebeard, and a discernable strain of misogyny emerges in his recreation of the tale and recurrent allusions to it, his contemporary, William Makepeace Thackeray, uses the tale as a springboard for his critique of avarice, hypocrisy, pretension, and the subjugation of women in Victorian society.