"Siam's great folk epic of love & war"--Back cover.

Siam's folk epic of love, war, and tragedy Khun Chang Khun Phaen is one of the most famous works of old Thai literature. The plot is a love story, set against a background of war, and ending in high tragedy. This folk epic was first developed in oral form for popular performance with lashings of romance, adventure, violence, farce, and magic. It was later adopted by the Siamese court and written down, with two kings contributing. This first-ever translation is based on Prince Damrong's standard edition of 1917-18, with over a hundred passages recovered from earlier versions. This English translation is written in lively prose, completely annotated, with over four hundred original line drawings and an afterword explaining the work's historical background, social context, and poetic style. The first volume presents the entire poem in translation and the companion volume contains alternative chapters and extensions, Prince Damrong's prefaces, and reference lists of Thai terms. The volumes are available separately or as a slipcased set. According to the leading Thai linguist William Gedney, "If all other information on traditional Thai culture were to be lost, the whole complex could be reconstructed from this marvelous text."

Siam's folk epic of love, war, and tragedy Khun Chang Khun Phaen is one of the most famous works of old Thai literature. The plot is a love story, set against a background of war, and ending in high tragedy. This folk epic was first developed in oral form for popular performance with lashings of romance, adventure, violence, farce, and magic. It was later adopted by the Siamese court and written down, with two kings contributing. This first-ever translation is based on Prince Damrong's standard edition of 1917-18, with over a hundred passages recovered from earlier versions. This English translation is written in lively prose, completely annotated, with over four hundred original line drawings and an afterword explaining the work's historical background, social context, and poetic style. The main volume presents the entire poem in translation. The companion volume contains alternative chapters and extensions, Prince Damrong's prefaces, and reference lists of Thai terms. The volumes are available separately or as a slipcased set. According to the leading Thai linguist William Gedney, "If all other information on traditional Thai culture were to be lost, the whole complex could be reconstructed from this marvelous text."

The first full history of a great commercial and political center that rose in Asia over almost five centuries.

Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.

In the last few years, Thailand has emerged as one of the world's most dynamic economies. Yet Thailand is still little known and sparsely written about. This book is the first full-length overview of Thailand's economy and politics. It is based on a wide range of sources in both Thai and English. Its focus is on the second half of the twentieth century, set in a deeper historical context of Siam in the Bangkok era. It plots the transition from rice economy to emerging industrial power, and from absolutist monarchy to one of Asia's most open and lively democracies. The book will be useful for students, interesting for the general reader, and challenging for specialists.

An examination of social imaginary surrounding Thai kingship and Thainess that yield an intriguing amalgam of ideas concerning popular religion, Buddhist kingship, nationalism, and material culture. It explores the contemporary appeal of King Chulalongkorn and considers what this ruler's unprecedented popularity says about Thai society.