Deconstruction is no game of mirrors, revealing the text as a play of surface against surface. Its more radical philosophical effort is to get behind the mirror and question the very nature of reflection. The Tain of the Mirror explores that gritty surface without which no reflection would be possible.

Nine essays written over a dozen years explore problems of engaging the ideas of the contemporary French philosopher and their reception in the US. Deconstruction as criticism, the eclipse of difference, structural infinity, and responding responsibly are among the perspectives. Several of the essays have been previously published. Annotation copyright by Book News, Inc., Portland, OR

This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.

This book investigates what Bataille, in "The Pineal Eye," calls mythological representation: the mythological anthropology with which this unusual thinker wished to outflank and undo scientific (and philosophical) anthropology. Gasché probes that anthropology by situating Bataille's thought with respect to the quatrumvirate of Schelling, Hegel, Nietzsche, and Freud. He begins by showing what Bataille's understanding of the mythological owes to Schelling. Drawing on Hegel, Nietzsche, and Freud, he then explores the notion of image that constitutes the sort of representation that Bataille's innovative approach entails. Gasché concludes that Bataille's mythological anthropology takes on Hegel's phenomenology in a systematic fashion. By reading it backwards, he not only dismantles its architecture, he also ties each level to the preceding one, replacing the idealities of philosophy with the phantasmatic representations of what he dubs "low materialism." Phenomenology, Gasché argues, thus paves the way for a new "science" of phantasms.

Shakespeare's Hamlet is considered by many to be the cornerstone of the English literary canon, a play that remains universally relevant. Yet it seems likely that we have spent so long reading the play for its capacity to reflect ourselves that we have lost sight of the thing itself. The goal of this book is to look beyond the Hamlet that has bedazzled critics for centuries, to seek to apprehend the play in all of its historical distinctness. This is not simply the search for what the play me...

This book engages and clarifies concepts crucial to Hans-Georg Gadamer's philosophical hermeneutics, including the concepts of effective-history, tradition, dialogue, and language. Festivals of Interpretation exhibits the universal scope of hermeneutics. The authors respond to three questions often raised about Gadamer's philosophical hermeneutics. Part One takes up the question of how Gadamer understands truth. It discusses how hermeneutical truth relates to methods, how truth may be thought to be historically conditioned without at the same time being relative, and how a truthful interpretation can produce a new understanding while simultaneously remaining faithful to the text. Part Two brings out the political, legal, and social relevance of Gadamer's philosophical hermeneutics by focusing on the role interpretation plays in times of political crisis, of disputes in Constitutional law, of changing ideas of societal needs such as health care, and of increased technological control of public opinion. The last question often asked about Gadamer's work concerns its relation to poetry. Part Three treats the challenge posed to philosophy by poetry in general and particularly by the poetry of Paul Celan as well as questions raised recently by Jacques Derrida about different ways of thinking about interpretation and text.