How do Christians determine when to obey God even if that means disobeying other people? In this book W. Bradford Littlejohn addresses that question as he unpacks the magisterial political-theological work of Richard Hooker, a leading figure in the sixteenth-century English Reformation. Littlejohn shows how Martin Luther and other Reformers considered Christian liberty to be compatible with considerable civil authority over the church, but he also analyzes the ambiguities and tensions of that relationship and how it helped provoke the Puritan movement. The heart of the book examines how, according to Richard Hooker, certain forms of Puritan legalism posed a much greater threat to Christian liberty than did meddling monarchs. In expounding Hooker's remarkable attempt to offer a balanced synthesis of liberty and authority in church, state, and conscience, Littlejohn draws out pertinent implications for Christian liberty and politics today.

A Stage for Debate presents a detailed analysis of the repertoire of the leading German-language stage of the nineteenth century, Vienna’s Burgtheater. The book explores the extent to which the Burgtheater repertoire contributed to important political and cultural debates on individual liberty, the role of women in society, and the understanding of national and regional identity. The relevance of the Burgtheater as a forum for political debate is assessed not by the degree to which the performed plays transgressed established norms, but by the range of positions that were voiced on a given topic. Martin Wagner investigates the roughly 1,000 plays from across Europe that were introduced to the Burgtheater’s repertoire between 1814 and 1867 by combining a general overview with detailed interpretations of especially successful plays. Wagner reveals that the Burgtheater was significantly more involved in contemporary debates than the stereotype of this stage as an artistically refined but apolitical institution suggests. Drawing from theatre studies and German and Austrian studies more broadly, A Stage for Debate revises the history of one of Europe’s leading theatres.

Discussing political and social oppression, its permanent causes, the way it works and its contemporary form, this volume of Simone Weil's writings offers thought-provoking ideas on political theory.

The State is a brilliant analysis of some of the fundamental issues of modern political thought from the perspective, not of individuals or subjects, but of the state itself. The author poses the query, "What would you do if you were the state?" The state usually is understood as an instrument, not a personality, and it is presumed to exist so that people can achieve their common ends. However, Jasay asks, what if we suppose the state to have a will and ends of its own? To answer these questions, the author traces the logical and historical progression of the state from a modest-sized protector of life and property through its development into an "agile seducer of democratic majorities, to the welfare-dispensing drudge that it is in many countries today ... Is the rational next step a totalitarian enhancement of its power?" The State presents what has been termed "a disturbingly logical 'agenda' for the state in pursuit of its 'self-fulfillment.'"--Inside jacket flap.