Through the last years of the twentieth century, one person has been the terror of politicians, bankers, and commerce leaders. He is a force of nature, chaos personified, and no one can judge or predict what he will do, not even his close friends.He has lived and survived. He will continue to live and survive. Or will he?

David Lynch and Mark Frost's television series Twin Peaks debuted in April 1990 and by June of 1991 had been cancelled. Yet the impact of this surreal, unsettling show--ostensibly about the search for homecoming queen Laura Palmer's killer--is far larger than its short run might indicate. A forerunner of the moody, disjointed, cinematic television shows that are commonplace today, Twin Peaks left a lasting impression, and nowhere is that more clear than in the devotion of its legions of loyal fans. Fan Phenomena: Twin Peaks is the first book of its kind to revisit Lynch and Frost's groundbreaking series and explore how the show's cult status continues to thrive in the digital era. In ten essays, the contributors take a deeper look at Twin Peaks' rich cast of characters, iconic locations, and its profound impact on television programming, as well as the impact of new media and fan culture on the show's continued relevance. Written by fans for fans, Fan Phenomena: Twin Peaks is an intelligent yet accessible guide to the various aspects of the show and its subsequent film. Featuring commentary from both first generation and more recent followers, these essays capture the endlessly fascinating universe of Twin Peaks, from Audrey Horne's keen sense of style to Agent Cooper's dream psychology. The first non-academic collection that speaks to the show's fan base rather than a scholarly audience, this book is more approachable than previous Twin Peaks critical studies volumes and features color images of the series, film, and fan media. It will be welcomed by anyone seduced by the strangeness and camp of Lynch's seminal series.

This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world’s greatest literary hero takes place in film, theatre, and literature. To accomplish this task, eighteen scholars from the USA, Canada, Spain, and Great Britain have come together, and each of them has brought his/her unique perspective to the subject. For the first time, Don Quixote is discussed from the point of re-accentuation, i.e. having in mind one of the key Bakhtinian concepts that will serve as a theoretical framework. A primary objective was therefore to articulate, relying on the concept of re-accentuation, that the history of the novel has benefited enormously from the re-accentuation of Don Quixote helping us to shape countless iconic novels from the eighteenth century, and to see how Cervantes’s title character has been reinterpreted to suit the needs of a variety of cultures across time and space.

This book investigates the history of writing as a cultural practice in a variety of contexts and periods. It analyses the rituals and practices determining intimate or ‘ordinary’ writing as well as bureaucratic and religious writing. From the inscribed images of ‘pre-literate’ societies, to the democratization of writing in the modern era, access to writing technology and its public and private uses are examined. In ten studies, presented by leading historians of scribal culture from seven countries, the book investigates the uses of writing in non-alphabetical as well as alphabetical script, in societies ranging from Native America and ancient Korea to modern Europe. The authors emphasise the material characteristics of writing, and in so doing they pose questions about the definition of writing itself. Drawing on expertise in various disciplines, they give an up-to-date account of the current state of knowledge in a field at the forefront of ‘Book History’.

Writers, game designers, teachers, and students ~this is the book youve been waiting for! Written by storytellers for storytellers, this volume offers an entirely new approach to word finding. Browse the pages within to see what makes this book different:

Could the story of mankind be far older than we have previously believed? Using tools as varied as archaeo-astronomy, geology, and computer analysis of ancient myths, Graham Hancock presents a compelling case to suggest that it is. Graham Hancock is featured in Ancient Apocalypse, a Netflix original docuseries. “A fancy piece of historical sleuthing . . . intriguing and entertaining and sturdy enough to give a long pause for thought.”—Kirkus Reviews In Fingerprints of the Gods, Hancock embarks on a worldwide quest to put together all the pieces of the vast and fascinating jigsaw of mankind’s hidden past. In ancient monuments as far apart as Egypt’s Great Sphinx, the strange Andean ruins of Tihuanaco, and Mexico’s awe-inspiring Temples of the Sun and Moon, he reveals not only the clear fingerprints of an as-yet-unidentified civilization of remote antiquity, but also startling evidence of its vast sophistication, technological advancement, and evolved scientific knowledge. A record-breaking number one bestseller in Britain, Fingerprints of the Gods contains the makings of an intellectual revolution, a dramatic and irreversible change in the way that we understand our past—and so our future. And Fingerprints of God tells us something more. As we recover the truth about prehistory, and discover the real meaning of ancient myths and monuments, it becomes apparent that a warning has been handed down to us, a warning of terrible cataclysm that afflicts the Earth in great cycles at irregular intervals of time—a cataclysm that may be about to recur. “Readers will hugely enjoy their quest in these pages of inspired storytelling.”—The Times (UK)