Originally published in 1901. A well illustrated description of the various swords used in civilized Europe during the last five centuries, and of single combats which have been fought with them. Contents include: The Age of Chivalry - Period of the Rapier - Period of Transition - Prize Players and Prize Fighters - The Nineteenth Century etc. Many of the earliest military books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

Engrossing survey details the uses of such weapons as the two-hand sword, the rapier and its auxiliaries, dagger and small sword, broadsword, duelling sword, and sabre. 48 black-and-white illustrations.

The sword was the most important of weapons, the symbol of the warrior, not to mention the badge of a officer and a gentleman. Much has been written about the artistic and historical significance of the sword, but outside specialised publications, relatively little about its metallurgy, and that often confined to a particular group. This book aims to tell the story of the making of iron and steel swords from the first Celtic examples through the Middle Ages to the Early Modern period. The results of the microscopic examination of over a hundred swords by the author and other archaeometallurgists are given and explained in terms of the materials available in Europe.

Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.

The Sword of the Lord is the first book to examine military chaplains and the development of the military chaplaincy across history and geography - from the first to the twenty-first century, from Europe to North America. The scope of this work reveals the astonishing fact that the military chaplaincy has existed in a recognizable form for more than 1600 years. Contributors analyze specific historical moments in the development of the chaplaincy, beginning in antiquity and progressing through the Crusades, the English Civil War, the American Civil War, both World Wars, and the Vietnam War. Four key themes connect the chapters of this book. The first is the basic issue of historical development over time. Where and when did the military chaplaincy begin and how has it changed? A second theme involves the emotionally and spiritually intense relationships that develop between chaplains and the men and women they serve. How have military chaplains dealt with the enormous responsibility of ministering to soldiers about to kill or possibly be killed? The third theme is that of chaplains' often precarious position between military and religious authorities. Are military chaplains primaril

The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.