Undoubtedly timely and full of fascinating detail, Sword of Islam is a thorough, well-researched, and revealing account of global Islamic terrorism. A military historian, John F. Murphy Jr. traces the intricate interconnections among various terrorist cells, including Osama Bin Laden's Al-Qaeda and its relationship with the Taliban of Afghanistan, the Muslim Brotherhood of Egypt, Islamic Moro extremists in the Philippines, obscure Algerian terrorist groups, and other sympathetic underworld organizations in Lebanon, the West Bank and the Gaza Strip, Syria, Libya, Yemen, Pakistan, and even South America. He also puts recent terrorist attacks in historical context by discussing such key events as the rise of Arab nationalism following Israel's victory in the 1948 war, the Black September killings of Israeli athletes at the 1972 Olympics, the 1976 rescue at Entebbe by Israeli commandos of hostages abducted by German terrorists, the terrorist plots of the infamous "Carlos the Jackal," the bombing of the US Marine barracks in Beirut in 1983, and the impact of the 1979 Iranian Revolution and the Mujahideen resistance of the Russian invasion of Afghanistan in the same year. This book supplies the answer to the question that has been on the minds of all Americans since September 11: Why do they hate us? Murphy makes it clear that as the chief backer of Israel the United States is seen by extremists as the evil power behind the hated "Zionist enemy." But he also emphasizes that in the final analysis we are the only country with the power to bring these attacks to a halt.

A SUNDAY TIMES TOP TEN BESTSELLER 'A stunning blockbuster' Robert Fisk 'A brilliant tour de force of revisionist scholarship and thrilling storytelling' Simon Sebag Montefiore 'A compelling detective story of the highest order' Sunday Times 'Tom Holland has an enviable gift for summoning up the colour, the individuals and animation of the past' Independent In the 6th century AD, the Near East was divided between two venerable empires: the Persian and the Roman. A hundred years on and one had vanished forever, while the other seemed almost finished. Ruling in their place were the Arabs: an upheaval so profound that it spelt, in effect, the end of the ancient world. In the Shadow of the Sword explores how this came about. Spanning from Constantinople to the Arabian desert, and starring some of the most remarkable rulers who ever lived, he tells a story vivid with drama, horror, and startling achievement.

A powerful account of the life of Tamerlane the Great (1336-1405), the last master nomadic power, one of history’s most extreme tyrants, and the subject of Marlowe’s famous play. Marozzi travelled in the footsteps of the great Mogul Emperor of Samarkland to write this wonderful combination of history and travelogue.

European waters are rife with mighty naval battles – not least the renowned Battle of Amalfi of 1527. Yet for Admiral Andrea Doria, the battles confronts are not confined to sea alone. The House of Dorian is plagued with conflict, both within and without, and Andrea finds that he has very real enemies in his midst.

A sweeping history of the often-violent conflict between Islam and the West, shedding a revealing light on current hostilities The West and Islam -- the sword and scimitar -- have clashed since the mid-seventh century, when, according to Muslim tradition, the Roman emperor rejected Prophet Muhammad's order to abandon Christianity and convert to Islam, unleashing a centuries-long jihad on Christendom. Sword and Scimitar chronicles the decisive battles that arose from this ages-old Islamic jihad, beginning with the first major Islamic attack on Christian land in 636, through the Muslim occupation of nearly three-quarters of Christendom which prompted the Crusades, followed by renewed Muslim conquests by Turks and Tatars, to the European colonization of the Muslim world in the 1800s, when Islam largely went on the retreat -- until its reemergence in recent times. Using original sources in Arabic and Greek, preeminent historian Raymond Ibrahim describes each battle in vivid detail and explains how these wars and the larger historical currents of the age reflect the cultural fault lines between Islam and the West. The majority of these landmark battles -- including the battles of Yarmuk, Tours, Manzikert, the sieges at Constantinople and Vienna, and the crusades in Syria and Spain--are now forgotten or considered inconsequential. Yet today, as the West faces a resurgence of this enduring Islamic jihad, Sword and Scimitar provides the needed historical context to understand the current relationship between the West and the Islamic world -- and why the Islamic State is merely the latest chapter of an old history.

The acclaimed author of Rubicon and other superb works of popular history now produces a thrillingly panoramic (and incredibly timely) account of the rise of Islam. No less significant than the collapse of the Roman Republic or the Persian invasion of Greece, the evolution of the Arab empire is one of the supreme narratives of ancient history, a story dazzlingly rich in drama, character, and achievement. Just like the Romans, the Arabs came from nowhere to carve out a stupefyingly vast dominion—except that they achieved their conquests not over the course of centuries as the Romans did but in a matter of decades. Just like the Greeks during the Persian wars, they overcame seemingly insuperable odds to emerge triumphant against the greatest empire of the day—not by standing on the defensive, however, but by hurling themselves against all who lay in their path.

The thoughtful reader of the Qur'ān will probably pause in confusion, for how does one reconcile this verse with tens of other verses that call for tolerance, such as Q 2.256 (Pickthall trans.): "There is no compulsion in religion...." The baffled reader encounters two contrasting spirits, as if facing the conflicted protagonist of Robert Louis Stevenson's novella The Strange Case of Dr. Jekyll and Mr. Hyde. A kind of schizophrenia seems incarnated in the Qur'ān with its verses of peace (which resemble the character of Dr. Jekyll) and its verses of killing (which reflect the character of Mr. Hyde), and the reader is left to ponder these questions:Why does the Qur'ān's text present a double personality?How can a Muslim take the Qur'ān as the guide for living one's life when it has two contrasting spirits?Which should the Muslim follow: the verses that reflect Jekyll or Hyde?