This study concerns the importance of the sword in Anglo-Saxon and Viking society, with reference to surviving swords and literary sources, especially Beowulf.

The contributors to this book bring their practical and academic knowledge to an exploration of new ideas and information about the making and use of swords in the early Anglo-Saxon period. They provide an insight to the symbolism of swords, their decoration and place in society. Other items carried and worn by warriors are similarly treated. In addition to those who have written the essays there are many others who have contributed to the ideas, theories and discussions presented in this book. Illustrations - 180 colour; 76 black & white

A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords. Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic "living" artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique rolein bloodshed. Sue Brunning is Curator of European Early Medieval Collections at The British Museum.

THE NEW BERNICIA CHRONICLES NOVEL FROM MATTHEW HARFFY, SHADOWS OF THE SLAIN, AVAILABLE TO PREORDER NOW! The first thrilling instalment in the Bernicia Chronicles. Adventure and agony, bloodshed and burning hatreds collide in the story of mighty young Anglo-Saxon warrior Beobrand of Ubbanford. 'HISTORICAL FICTION DOESN'T GET MUCH BETTER THAN THIS' ANGUS DONALD AD 633. Beobrand is a young man with a shadowy past. As an outsider in the kingdom of Bernicia, he is compelled to join his brother as a warrior in the household of King Edwin. He must learn to fight with sword and shield to defend the war-ravaged kingdoms of Northumbria. It is a period of great upheaval, and the land is rife with danger as warlords vie for supremacy and dominion. All Beobrand finds is despair, death and war. Amongst the blood and the betrayals, he learns of his brother's near-certain murder. Inexperienced but ruthless, Beobrand must form his own allegiances as a warrior. Driven by his desire for vengeance and a relentless pursuit of his enemies, he must face challenges which will transform him from a boy to a man who stands strong in the clamour and gore of the shieldwall. Can Beobrand mete out the retribution he craves, and avenge his brother, without sacrificing his honour... and even his soul? Reviews for Matthew Harffy 'Nothing less than superb' Historical Novel Society 'Beobrand is the warrior to follow' David Gilman 'A tale that rings like sword song in the reader's mind' Giles Kristian 'A brilliant characterization of a difficult hero in a dangerous time.' Christian Cameron 'A terrific novel. It illuminates the Dark Ages like a bolt of lightning' Toby Clements 'Battles, treachery, revenge and a healthy dose of Dark Age adventure' Simon Turney 'Matthew Harffy tells a great story' Joanna Hickson 'Harffy's writing just gets better and better... the rightful heir to Gemmell's crown' Jemahl Evans 'A genuinely superb novel' Steven A. McKay 'A breathtaking novel that sweeps the reader into a dark and dangerous world' Paul Fraser Collard

The little-known lives of women who ruled, schemed, and made peace and war, between the seventh and eleventh centuries: “Meticulously researched.” —Catherine Hanley, author of Matilda: Empress, Queen, Warrior Many Anglo-Saxon kings are familiar. Æthelred the Unready is one—but less is written about his wife, who was consort of two kings and championed one of her sons over the others, or about his mother, who was an anointed queen and powerful regent, but was also accused of witchcraft and regicide. A royal abbess educated five bishops and was instrumental in deciding the date of Easter; another took on the might of Canterbury and Rome and was accused by the monks of fratricide. Royal mothers wielded power: Eadgifu, wife of Edward the Elder, maintained a position of authority during the reigns of both her sons. Æthelflaed, Lady of the Mercians, was a queen in all but name, while few have heard of Queen Seaxburh, who ruled Wessex, or Queen Cynethryth, who issued her own coinage. She, too, was accused of murder, and was also, like many of the royal women, literate and highly educated. Ranging from seventh-century Northumbria to eleventh-century Wessex and making extensive use of primary sources, Women of Power in Anglo-Saxon England examines the lives of individual women in a way that has often been done for the Anglo-Saxon men but not for their wives, sisters, mothers, and daughters.

The Resplendent image of the medieval knight is concentrated in the symbolism of his sword. The straight, two-edged, cross-hilted knightly sword of the European middle ages was an object of vital importance, a lethal weapon on the battlefield and a badge of chivalry in that complex social code. Ewart Oakeshott draws on his extensive research and expert eye (and hand, for he has a special sense for the feel of a sword) to develop a typology for and recount the history of the sword, from the knightly successors of the Viking weapon to the emergence of the Renaissance sword - that is, roughly from 1050 to 1550. Within this time-span, two distinct groups of swords successively evolved. Problems of dating are acute, and evidence is adduced from literature and art as well as from archaeology, for a sword (or some parts of a sword) could have been in use several generations after it first saw battle. To deal with such overlap, Ewart Oakeshott develops, refines and illustrates a detailed typology of swords which takes in entire swords, pommel-forms, cross-guards, and the grip and scabbard.