A brief and brilliant satire of magazine hacks and fashionistas, The Sweet Smell of Psychosis shows Will Self—a writer hailed by Time as “brilliant, iconoclastic . . . one of Britain’s most original young writers”—at the top of his form. It looks like it’s going to be quite a Christmas for Richard Hermes, powdered with cocaine and whining with the white noise of urban derangement. Not so much enfolded as trapped in the bosom of the most venal media clique in London, Richard is losing it on all fronts: he’s losing his heart to Ursula Bentley, a nubile and vacuous magazine columnist; he’s in danger of losing his job at the pretentious listings magazine Rendezvous; he’s losing his mind courtesy of Colombia’s chief illegal export; and, worst of all, he’s losing his soul . . . to the king-of-all-media and sinister purveyor of opportunities—sexual, chemical, and professional—known only as Bell. Murky, paranoid, and hilarious, The Sweet Smell of Psychosis is Will Self at his best.

Understanding Will Self introduces readers to the satire and expressive ingenuity of a British writer who has garnered an array of awards since the 1991 publication of his first short story collection, The Quantity Theory of Sanity. In this guide to the well-received but largely unstudied writer, M. Hunter Hayes examines the key themes, narrative strategies, and cultural commentaries that characterize Self's work. Through close textual analyses, Hayes guides readers through the alternative universe of Self's writing and maps the interplay between his forays into journalism and fiction. Marked by their combination of seemingly improbable events and quotidian details, Self's novels, novellas, and short stories examine contemporary English life through a mode of writing that he has aptly termed dirty magical realism. Hayes shows how recurring characters have evolved through successive works and in relation with their environments.

Everything that makes Will Self's fiction so arresting and original is in evidence here in this collection of his best articles, book reviews and interviews from the Observer, the Guardian, the Independent, the Evening Standard and many more. Whether describing penis operations, narcotics or merely pondering the nature of slacking, these pieces are as witty and acerbic as one would expect from one of our foremost contemporary satirists.

The Routledge Dictionary of Modern American Slang offers the ultimate record of modern, post WW2 American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. In terms of content, the cultural transformations since 1945 are astounding. Television, computers, drugs, music, unpopular wars, youth movements, changing racial sensitivities and attitudes towards sex and sexuality are all substantial factors that have shaped culture and language. This new edition includes over 500 new headwords collected with citations from the last five years, a period of immense change in the English language, as well as revised existing entries with new dating and citations. No term is excluded on the grounds that it might be considered offensive as a racial, ethnic, religious, sexual or any kind of slur. This dictionary contains many entries and citations that will, and should, offend. Rich, scholarly and informative, The Routledge Dictionary of Modern American Slang and Unconventional English is an indispensable resource for language researchers, lexicographers and translators.

Provocateurs Will Self and Ralph Steadman join forces in this post-millennial meditation on the vexed relationship between psyche and place in a globalised world, bringing together for the first time the very best of their 'Psychogeography' columns for the Independent. The introduction, 'Walking to New York', is both a prelude to the verbal and visual essays that make up this extraordinary collaboration, and a revealing exploration of the split in Self's Jewish-American-British psyche and its relationship to the political geography of the post-9/11 world. Ranging from the Scottish Highlands to Istanbul and from Morocco to Ohio, Will Self's engaging and disturbing vision is perfectly counter-pointed by Ralph Steadman's edgy and beautiful artwork.

Are you a bit of a chairwarmer? Do you use the wins from a country straight to get scudded on snakebite in a blind tiger? Do you ride the waves on puddle or death drop? Vice Slang gently eases you into the language of gambling, drugs and alcohol, providing you with 3,000 words to establish yourself firmly in the world of corruption and wickedness. All words are illustrated by a reference from a variety of sources to prove their existence in alleys and dives throughout the English speaking world. This entertaining book will give you hours of reading pleasure.

The Contemporary British Novel is a lively, wide-ranging guide to the key issues in writing in Britain since the mid-1970s, including social change, gender, sexuality, class, history and ethnicity. Designed to address problems faced by students in the exciting but challenging field of contemporary fiction, the text is organised to focus on major topics including: - the changing nature of British identity; - the representation of urban identity and urban spaces; - class issues including the rise and fall of the middle class; - multiracial identity and hybridity. The second edition includes a new introduction and a new chapter on fiction since the millennium focusing on a post 9/11 aesthetic. Every chapter has been revised for the new edition and now includes an initial overview and recommended reading to offer guidance on further study. Includes readings of novels by: Martin Amis, Pat Barker, A. S. Byatt, Jonathan Coe, Hanif Kureishi, Salman Rushdie,Will Self, Zadie Smith, Jeanette Winterson among others.