A MOST ANTICIPATED BOOK • The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now. “This is the kind of history I wish I learned as a child dreaming of the stage!” —Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy “Utterly absorbing, flawlessly-researched…Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!” —Tia Williams, author of A Love Song for Ricki Wilde At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world. Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.

A MOST ANTICIPATED BOOK • The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now. “This is the kind of history I wish I learned as a child dreaming of the stage!” —Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy “Utterly absorbing, flawlessly-researched…Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!” —Tia Williams, author of A Love Song for Ricki Wilde At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world. Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.

For fans of Hidden Figures and The Immortal Life of Henrietta Lacks 'The kind of history I wish I learned as a child dreaming of the stage!' MISTY COPELAND 'Vibrant, propulsive and inspiring' TIA WILLIAMS Harlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. Both a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be. It is about the heart-breaking impact of the AIDS epidemic which claimed the lives of so many of the male dancers. It's about racism and activism through art. And it's about the eternal glamour of ballet; these swans appeared at the grandest opera houses and theatres, dancing at the White House, and even for the Queen. Their fans included Mick Jagger and they performed alongside the likes of Michael Jackson and Josephine Baker. But most importantly it tells the universal story of female friendship, and in particular how these five young women formed a bond - while experimenting with different ways of dying ballet shoes and tights to match their skin tones - which still endures many decades later.

A full accounting of five incredibly talented Black ballerinas from The Dance Theater of Harlem, founding members among them, that illuminates their hard-fought, historic, and overlooked contributions to the world of classical dance at a time when racism shut out Black dancers from major dance companies. It was true until only recently, their past achievements had been erased—that’s what happened to five Black ballerinas, members of the groundbreaking Dance Theater of Harlem. At the peak of the Civil Rights Movement, Lydia Abarca, who dance critics praised effusively, was the first Black prima ballerina of this major dance company, performing lead roles in the most iconic ballets. She was also the first Black ballerina to grace the cover of Dance magazine. Alongside fellow founding members Sheila Rohan and Gayle McKinney-Griffith, and first-generation dancers Karlya Shelton and Marcia Sells, these swans of Harlem shone a bright light on the depth of Black professional classical dancers. Their grit, determination, and exquisite artistry propelled them to dizzying heights, but over the decades, their trailblazing and triumphs were largely forgotten. Now these ballerinas and longtime friends are giving voice to their stories on and off stage—reclaiming a past so that it is finally recorded and acknowledged.

A full accounting of five incredibly talented Black ballerinas from The Dance Theater of Harlem, founding members among them, that illuminates their hard-fought, historic, and overlooked contributions to the world of classical dance at a time when racism shut out Black dancers from major dance companies. It was true until only recently, their past achievements had been erased—that’s what happened to five Black ballerinas, members of the groundbreaking Dance Theater of Harlem. At the peak of the Civil Rights Movement, Lydia Abarca, who dance critics praised effusively, was the first Black prima ballerina of this major dance company, performing lead roles in the most iconic ballets. She was also the first Black ballerina to grace the cover of Dance magazine. Alongside fellow founding members Sheila Rohan and Gayle McKinney-Griffith, and first-generation dancers Karlya Shelton and Marcia Sells, these swans of Harlem shone a bright light on the depth of Black professional classical dancers. Their grit, determination, and exquisite artistry propelled them to dizzying heights, but over the decades, their trailblazing and triumphs were largely forgotten. Now these ballerinas and longtime friends are giving voice to their stories on and off stage—reclaiming a past so that it is finally recorded and acknowledged.

As the practice of yoga continues to flourish within Western Black and Brown communities, this transformative, Black culturally centered toolkit highlights the barriers that hinder access to yoga. It takes core aspects of yoga philosophy and contextualizes it within Black cultural norms, religious taboos, and historical healing practices, and teaches readers how to foster a safe haven for their clients and communities. Based on decades' worth of experience and expertise, this dynamic author duo discusses important topics such as health disparities, complementary healthcare, and the rich heritage and resilience of Black communities. This is an invaluable and practical resource that offers practices and actionable guidance and supports practitioners to explore a Black culturally centered approach to yoga whilst facilitating better health and wellbeing for Black people.

NEW YORK TIMES BESTSELLER • The author of The Aviator’s Wife returns with a triumphant new novel about New York’s “Swans” of the 1950s—and the scandalous, headline-making, and enthralling friendship between literary legend Truman Capote and peerless socialite Babe Paley. People’s Book of the Week • USA Today’s #1 “New and Noteworthy” Book • Entertainment Weekly’s Must List • LibraryReads Top Ten Pick Of all the glamorous stars of New York high society, none blazes brighter than Babe Paley. Her flawless face regularly graces the pages of Vogue, and she is celebrated and adored for her ineffable style and exquisite taste, especially among her friends—the alluring socialite Swans Slim Keith, C. Z. Guest, Gloria Guinness, and Pamela Churchill. By all appearances, Babe has it all: money, beauty, glamour, jewels, influential friends, a prestigious husband, and gorgeous homes. But beneath this elegantly composed exterior dwells a passionate woman—a woman desperately longing for true love and connection. Enter Truman Capote. This diminutive golden-haired genius with a larger-than-life personality explodes onto the scene, setting Babe and her circle of Swans aflutter. Through Babe, Truman gains an unlikely entrée into the enviable lives of Manhattan’s elite, along with unparalleled access to the scandal and gossip of Babe’s powerful circle. Sure of the loyalty of the man she calls “True Heart,” Babe never imagines the destruction Truman will leave in his wake. But once a storyteller, always a storyteller—even when the stories aren’t his to tell. Truman’s fame is at its peak when such notable celebrities as Frank and Mia Sinatra, Lauren Bacall, and Rose Kennedy converge on his glittering Black and White Ball. But all too soon, he’ll ignite a literary scandal whose repercussions echo through the years. The Swans of Fifth Avenue will seduce and startle readers as it opens the door onto one of America’s most sumptuous eras. Praise for The Swans of Fifth Avenue “Exceptional storytelling . . . teeming with scandal, gossip and excitement.”—Harper’s Bazaar “This moving fictionalization brings the whole cast of characters back to vivid life. Gossipy and fun, it’s also a nuanced look at the beauty and cruelty of a rarefied, bygone world.”—People “The era and the sordid details come back to life in this jewel of a novel.”—O: The Oprah Magazine