The Suspicion at Sanditon, the next adventure in Carrie Bebris's award-winning Mr. & Mrs. Darcy Mystery series takes Fitzwilliam and Elizabeth Darcy to Sanditon, the setting of Jane Austen's final work. There, accompanied by their friend Miss Charlotte Heywood, they encounter an array of eccentric villagers and visitors. Among Sanditon's most prominent residents: Lady Denham, a childless, twice-widowed dowager with a fortune to bequeath and a flight of distant relations circling for a place in her will. The Darcys have scarcely settled into their lodgings when Lady Denham unexpectedly invites them to a dinner party. Thirteen guests assemble at Sanditon House-but their hostess never appears. As a violent storm rises, a search for Lady Denham begins. The Darcys, like most of their fellow attendees, speculate that one of her ladyship's would-be heirs has grown impatient .?.?. until the guests start to vanish one by one. Does a kidnapper lurk in the centuries-old mansion, or is a still more sinister force at work? As the night grows short, the dwelling's population grows thin, and tales of Sanditon House's storied past emerge, Mr. and Mrs. Darcy find themselves leading a desperate effort to discover what has happened to Lady Denham and the missing guests, before they all-perhaps even Elizabeth and Darcy themselves-disappear. The Regency era's answer to Nick and Nora Charles, the Darcys once again demonstrate their quick wits and signature wit as they search for the truth-universally acknowledged and otherwise. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Suspicion at Sanditon, a new adventure in Carrie Bebris's award-winning Mr. & Mrs. Darcy Mystery series, takes Fitzwilliam and Elizabeth Darcy to Sanditon, the setting of Jane Austen's final work. There, accompanied by their friend Miss Charlotte Heywood, they encounter an array of eccentric villagers and visitors. Among Sanditon's most prominent residents: Lady Denham, a childless, twice-widowed dowager with a fortune to bequeath and a flight of distant relations circling for a place in her will. The Darcys have scarcely settled into their lodgings when Lady Denham unexpectedly invites them to a dinner party. Thirteen guests assemble at Sanditon House--but their hostess never appears. As a violent storm rises, a search for Lady Denham begins. The Darcys, like most of their fellow attendees, speculate that one of her ladyship's would-be heirs has grown impatient .?.?. until the guests start to vanish one by one. Does a kidnapper lurk in the centuries-old mansion, or is a still more sinister force at work? As the night grows short, the dwelling's population grows thin, and tales of Sanditon House's storied past emerge, Mr. and Mrs. Darcy find themselves leading a desperate effort to discover what has happened to Lady Denham and the missing guests, before they all--perhaps even Elizabeth and Darcy themselves--disappear"--

Just after their wedding, the newlywed hero and heroine of Pride & Prejudice become involved in a bizarre mystery involving wedding guest Caroline Bingley, who has become engaged to wed a wealthy, charismatic American.

One of Jane Austen's final uncompleted novels, started in the January the year she died. Perhaps Austen's most original work, stepping away from the mystique of the country estates. This edition includes an introduction, notes and bibliography.

Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games.

While on holiday Fitzwilliam and Elizabeth Darcy investigate the murder of a woman whose body was found at the base of Lyme's famous sea wall as well as the prospect that Fitzwilliam's naval-lieutenant cousin may have also been murdered.

Unfinished Austen examines four texts that Jane Austen left incomplete: Catharine, or the Bower (1792–-3), Lady Susan (1795?), The Watsons (1803–-4?) and Sanditon (1817), none of them published till well after her death. Since very little in manuscript form survives from the six famous novels, these four manuscript texts offer insight into the novelist in the process of creation. They also problematize the romance plot prominent in the published novels by presenting this in a nebulous or incipient state that underlines its artificiality. These texts sometimes show how the romance plot is inflected by the financial condition in which young marriageable women can find themselves. Moreover, the stories (other than Catharine) have aroused the interest of many later writers—including writers for theatre and screen—who are eager to complete or to amplify them. They may do this through developing the stories to some kind of dénouement. Perhaps more intriguingly, however, these texts induce some writers to question the very enterprise of concluding an unfinished text.