Fifteen hundred protestors line Kaua'i's pier. Dozens more leap onto surfboards, boogie boards, and canoes, risking their lives to stop the oncoming colossus: the high-speed Hawaii Superferry riding in on a wave of deception and collusion. The protesters block the ship, and force it back to Honolulu. But why such outrage?... Over a ferryboat? " The Superferry Chronicles" is a riveting tale of intrigue and corruption-and an inspiring popular uprising against rampant commercialization. Impeccably researched, " The Chronicles" exposes hidden connections to defense industries preparing for Pacific conflicts, and an ambitious governor pandering to powerful military investors. Her administration gives the mammoth catamaran-bigger than a football field-a free pass to blaze its way at 40 miles per hour through protected whale breeding grounds and transport dangerous invasive species to fragile ecosystems-despite stringent environmental laws and a unanimous Supreme Court stop-order. Central to the story, we hear directly from Hawaii's citizens fighting to protect their lands, and saying loud and clear, "Enough is enough." Award-winning filmmaker Koohan Paik of Kaua'i and Jerry Mander, "the patriarch of the antiglobalization movement" (New York Times), are joined by military observers, legal experts, and environmental professionals, to tell this compelling David-and-Goliath saga of local heroism versus global powers, exposing universal crises playing out in a Pacific archipelago. "Open this book and dive into a story of almost allegoric proportions. Let it embolden you to stand up for our Earth, its beauty and its creatures, including ourselves." -Frances Moore Lappe, author of " Diet for a Small Planet and Hope's Edge" "The idea of boats to connect the Hawaiian Islands is so natural and lovely that it makes one doubly mad to read how in this case it's been perverted into yet one more sad scheme for our paranoid future. Good for you-people of Hawaii-who've raised the alarm, and to these authors for pulling back the curtain."-Bill McKibben, author of " Deep Economy" "I applaud the authors for bringing the voices of the grassroots to the foreground. The people make history, and the people of Kaua'i have made us proud. Kauli'i makou, nui ke aloha no ka 'aina. ('We are small in numbers, but our love for our land is great.')" -Ikaika Hussey, Publisher The Hawai'i Independent "In every era, simple events become symbols of greater forces that shape human history. " The Superferry Chronicles" brings one such moment alive. This book captures the spirit of that defining event and reveals the corporate manipulation, political bullying, corruption, and deceit that lay behind the Hawaii Superferry."-Lucienne de Naie, Chair, Sierra Club Hawaii "Koohan Paik and Jerry Mander offer the world a wide interpretation of indigenous sensibility. We in Hawaii are grateful and stand ready for more effective collaboration. It's time to save this planet! I mua ka lahui o Hawaii-nui-akua. ('Let us all move forward, all people of the world.')" -Dr. Manulani Aluli Meyer, Hawaiian practitioner and educator "

Camilla Fojas explores a broad range of popular culture media—film, television, journalism, advertisements, travel writing, and literature—with an eye toward how the United States as an empire imagined its own military and economic projects. Impressive in its scope, Islands of Empire looks to Cuba, Guam, Hawai‘i, Puerto Rico, and the Philippines, asking how popular narratives about these island outposts expressed the attitudes of the continent throughout the twentieth century. Through deep textual readings of Bataan, Victory at Sea, They Were Expendable, and Back to Bataan (Philippines); No Man Is an Island and Max Havoc: Curse of the Dragon (Guam); Cuba, Havana, and Dirty Dancing: Havana Nights (Cuba); Blue Hawaii, Gidget Goes Hawaiian, and Paradise, Hawaiian Style (Hawai‘i); and West Side Story, Fame, and El Cantante (Puerto Rico), Fojas demonstrates how popular texts are inseparable from U.S. imperialist ideology. Drawing on an impressive array of archival evidence to provide historical context, Islands of Empire reveals the role of popular culture in creating and maintaining U.S. imperialism. Fojas’s textual readings deftly move from location to location, exploring each island’s relationship to the United States and its complementary role in popular culture. Tracing each outpost’s varied and even contradictory political status, Fojas demonstrates that these works of popular culture mirror each location’s shifting alignment to the U.S. empire, from coveted object to possession to enemy state.

This is the first book to describe an historically unique, spontaneous, leaderless uprising in the Hawaiian islands, in 2001. When an entrepreneur got the idea to start a high-speed, inter-island ferry to connect Honolulu with the neighbor islands, his idea was hijacked by a corporate entity with vast military ties, and became a prototype of Americas sea-based military strategy for the 21st century. The project rode in on a wave of deception and corruptionfrom the governors office, to the Hawaii Superferry corporation, but the Superferry deal was never approved by the people of Hawaii, and this galvanized Hawaiians. On Kauai, citizens took to surfboards and effectively blocked the vessel from entering the harbor, among other emotional protests. This story of personal and political empowerment, an unprecedented showdown against the latest tourist-military intrusion into the Hawaiian way of life, landscape, and local sovereignty, both grim and hopeful.

While Native Americans are perhaps the most studied people in our society, they too often remain the least understood and visible. Fictions and stereotypes predominate, obscuring substantive and fascinating facts about Native societies. The Extraordinary Book of Native American Lists works to remedy this problem by compiling fun, unique, and significant facts about Native groups into one volume, complete with references to additional online and print resources. In this volume, readers can learn about Native figures from a diverse range of cultures and professions, including award-winning athletes, authors, filmmakers, musicians, and environmentalists. Readers are introduced to Native U.S. senators, Medal of Freedom winners, Medal of Honor recipients, Major League baseball players, and U.S. Olympians, as well as a U.S. vice president, a NASA astronaut, a National Book Award recipient, and a Pulitzer Prize winner. Other categories found in this book are: History Stereotypes and Myths Tribal Government Federal-Tribal Relations State-Tribal Relations Native Lands and Environmental Issues Health Religion Economic Development Military Service and War Education Native Languages Science and Technology Food Visual Arts Literary and Performing Arts Film Music and Dance Print, Radio, and Television Sports and Games Exhibitions, Pageants, and Shows Alaska Natives Native Hawaiians Urban Indians Including further fascinating facts, this wonderful resource will be a great addition not only to tribal libraries but to public and academic libraries, individuals, and scholars as well.

CORRECTION: Regarding the book, The Battle for Paradise by Jeremy Evans, the following correction has been made on page 163 in paragraph three (3) to wit: “Weston once worked in concert with government officials in a pre-planned sting operation, complete with marked bills: Weston, whose role in the operation involved paying a bribe to the Golfito mayor for a concession and then documenting the bribe as a way to expose the mayor as a corrupt government official, was a former cocaine dealer, according to Dan, and someone who illegally acquired possession of his sawmill property.” Pavones, a town located on the southern tip of Costa Rica, is a haven for surfers, expatriates, and fishermen seeking a place to start over. Located on the Golfo Dulce (Sweet Gulf), a marine sanctuary and one of the few tropical fjords in the world, Pavones is home to a legendary surf break and a cottage fishing industry. In 2004 a multinational company received approval to install the world’s first yellowfin tuna farm near the mouth of the Golfo Dulce. The tuna farm as planned would pollute the area, endanger sea turtles, affect the existing fish population, and threaten the world-class wave. A lawsuit was filed just in time, and the project was successfully stalled. Thus began an unlikely alliance of local surfers, fishermen, and global environmental groups to save a wave and one of the most biodiverse places on the planet. In The Battle for Paradise, Jeremy Evans travels to Pavones to uncover the story of how this ragtag group stood up to a multinational company and how a shadowy figure from the town’s violent past became an unlikely hero. In this harrowing but ultimately inspiring story, Evans focuses in turn on a colorful cast of characters with an unyielding love for the ocean and surfing, a company’s unscrupulous efforts to expand profits, and a government that nearly sold out the perfect wave.

In Food and Power in Hawai`i, island scholars and writers from backgrounds in academia, farming, and community organizations discuss new ways of looking at food policy and practices in terms of social justice and sustainability. Each of the nine essays describes Hawai`i’s foodscapes and collectively makes the case that food is a focal point for public policy making, social activism, and cultural mobilization. With its rich case studies, the volume aims to further debate on the agrofood system and extends the discussion of food problems in Hawai`i. Given the island geography, high dependency on imported food has often been portrayed as the primary challenge in Hawai`i, and the traditional response has been localized food production. The book argues, however, that aspects such as differentiated access, the history of colonization, and the neoliberalized nature of the economy also need to be considered for the right transformation of our food system. The essays point out the diversity of food challenges that Hawai`i faces. They include controversies over land use policies, a gendered and racialized farming population, benefits and costs of biotechnology, stratified access to nutritious foods, as well as ensuring the economic viability of farms. Defying the reductive approach that looks only at calories or tonnage of food produced and consumed as indicators of a sound food system, Food and Power in Hawai`i shows how food problems are necessarily layered with other sociocultural and economic problems, and uses food democracy as the guiding framework. By linking the debate on food explicitly to the issues of power and democracy, each contributor seeks to reframe a discourse, previously focused on increasing the volume of locally grown food or protecting farms, into the broader objectives of social justice, ecological sustainability, and economic viability.

This insightful book tracks the concept of culture across a range of scholarly disciplines and much of the twentieth and early twenty-first centuries—years that saw the emergence of new fields and subfields (cultural studies, the new cultural history, literary new historicism, as well as ethnic and minority studies) and came to be called "the cultural turn." Since the 1990s, however, the idea of culture has fallen out of scholarly favor. Susan Hegeman engages with a diversity of disciplines, including anthropology, literary studies, sociology, philosophy, psychology, and political science, to historicize the rise and fall of the cultural turn and to propose ways that culture may still be a vital concept in the global present.