Pullout sections, poster supplements, contests, puzzles, and the funny pages--the Sunday newspaper once delivered a parade of information, entertainment, and spectacle for just a few pennies each weekend. Paul Moore and Sandra Gabriele return to an era of experimentation in early twentieth-century news publishing to chart how the Sunday paper became an essential part of American leisure. Transcending the constraints of newsprint while facing competition from other media, Sunday editions borrowed forms from and eventually partnered with magazines, film, and radio, inviting people to not only read but watch and listen. This drive for mass circulation transformed metropolitan news reading into a national pastime, a change that encouraged newspapers to bundle Sunday supplements into a panorama of popular culture that offered something for everyone.

A chronicle of Adams’s rise from alt-country to rock stardom, featuring stories about the making of the albums Strangers Almanac and Heartbreaker. Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown’s rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer’s remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams’s post-Whiskeytown self-reinvention as a solo act. Menconi draws on early interviews with Adams, conversations with people close to him, and Adams’s extensive online postings to capture the creative ferment that produced some of Adams’s best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had a determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion. “Menconi, a veteran music critic based in Raleigh, North Carolina, had a front row seat for alt-country wunderkind Ryan Adams’ rise to prominence—from an array of local bands, to Whiskeytown, and on to a successful and prolific solo career. Here, Menconi enthusiastically revisits those heady days when the mercurial Adams’ performances were either transcendent or tantrum-filled—the author was there for most of them, and he packs his book with tales of magical performances and utterly desperate train wrecks. . . . This interview- and anecdote-laden exposé of the artist's early career will doubtless find a happy home with Adams fans.” —Publishers Weekly

Three Christmas pageants intended primarily for child performers but flexible enough to accomodate all age groups and both large and small casts.

The bestselling motivational guide that TheAtlantic.com calls "a rallying cry for women to get the money they deserve." Why are women so often overlooked and underpaid? What are the real reasons men get raises more often than women? How can women ask for -- and actually get--the money, the job, the recognition they deserve? Prompted by her own experience as cohost of Morning Joe, Mika Brzezinski asked a wide range of successful women to share the critical lessons they learned while moving up in their fields. Power players such as Facebook's Sheryl Sandberg, Senator Elizabeth Warren, Harvard's Victoria Budson, comedian Susie Essman, and many more shared their surprising personal stories. They spoke candidly about why women are paid less and the pitfalls women face -- and play into. Now expanded to address gender dynamics in the #MeToo era, Know Your Value blends compelling personal stories with the latest research on why many women don't negotiate their compensation, why negotiating aggressively usually backfires, and what can be done about it. For any woman who has ever wondered if her desire to be liked can be a liability (yes), if there is a way to reclaim her contribution after it's been co-opted in a meeting (yes), and if there are strategies men use to get ahead that women should too (yes!), Know Your Value provides vital advice to help women be their own best advocates.

Now for the first time an in-depth collection surveying the greatest cowboy strip to grace newspapers, Roy Rogers. See the adventures of Roy Rogers, Dale Evans, and Trigger in both the black-and-white daily strips and twelve complete full-color continuities of the Sundays. Presented in this volume is the complete work of Silver Age master Alex Toth on the title. Also featured is artwork by Mike Arens, Pete Alvardo, and Tom, Chuck, and Bob McKimson. During the 1950's Roy Rogers was one of the most widely read newspaper comic strips in America and this volume presents a representative sampling covering the entire 12-year run of the title. This book, as with all Hermes Press' comic book and strip reprints, presents a detailed essay about the strip's history, written by comics historian Tim Lasuita, accompanied by artwork, movie posters, advertising, and toys.

Ernestine, the young heroine of Back Home, and her great-aunt Odessa often ride the trolley to the railroad station to watch the trains from North Carolina come in. When Ernestine finally travels on a train to the place of her birth, everyone in her family sacrifices something to make her trip possible. Gloria Jean and Jerry Pinkney together depict family warmth as bright as sunshine. Full color.

Sunday Press Books presents a masterpiece in comic art by Frank King. Collected for the first time, here are the best Gasoline Alley Sunday comics, starting from the very first Sunday in 1921. King's innovations in art, layout and storytelling brought a new warmth and style to the medium at the dawn of the Golden Age of newspaper comic strips. This book is designed by Chris Ware with an introduction by Jeet Heer. As with the Sunday Press editions of Little Nemo in Slumberland, these incredible Sunday pages are shown digitally restored to their original colorful brilliance and reproduced at full size (16 by 21 inches). The book is filled with images of comics memorabilia and photographs of King's life. It also includes texts on King's life and work by journalist Tim Samuels and comics historian/critic Donald Phelps. Included in the book is a full-sheet cardboard insert replica of a 1920's Skeezix cut-out toy.