When two estranged sisters inherit a Hamptons beach house, they search for fortune but find love instead. Cassie and Peck are half sisters with little in common beyond a shared last name--that is, until their beloved aunt Lydia bequeaths them equal shares of her ramshackle old cottage in the Hamptons with instructions to "seek the thing of utmost value" within it. Cassie and Peck fantasize about discovering a lost Jackson Pollock, or a first edition of F. Scott Fitzgerald's The Great Gatsby, as they revel in one last summer of fabulous parties and nostalgia. From the author of Lulu Meets God and Doubts Him, Danielle Ganek's The Summer We Read Gatsby, a perfect beach read, captures the spirit of New York's most glamorous resort town, and will captivate readers with its spellbinding blend of romance, mystery, and charmingly eccentric characters.

A delightful comedy of manners about two sisters who must put aside their differences when they inherit a house in the Hamptons.

Surely enough has been written about F. Scott Fitzgerald, the man who coined "the Jazz Age" and symbolized the Roaring Twenties, whose very name conjures up a meteoric rise and an equally spectacular fall? But the better question might be, Why has so much ink been spent on a writer who completed only four novels, who fell from grace in the 1930s only to be resurrected twenty years later? The answer, according to the cultural critic Arthur Krystal, "is the problem that is Fitzgerald." Drawn to the glitter of fame but aspiring to the empyrean heights of Joseph Conrad and James Joyce, Fitzgerald careened from the perfection of The Great Gatsby to the hack world of Hollywood screenwriting, penning stories that were either brilliant distillations of the age or superficial works of fiction. Like America itself, Fitzgerald was a work in progress, a self-created and conflicted human being striving for ideals that neither he nor the nation could ever live up to. Beset by contradictions, buoyed by hope, fueled by alcohol, unable to settle permanently in any one place, Fitzgerald possessed what John Updike aptly described as "an aptitude for chaos and a dream of order." In this unusual and concise biography—more a layering of impressions than a chronological guide—Krystal gives us not only the peripatetic and turbulent life of a cultural icon but also the intellectual sweep of a period in history that created our modern America. Some Unfinished Chaos delivers a nuanced portrait of a man whose various sides embodied the trends, passions, and pursuits of the imperfect society that both glorified and dismissed him.

Providing more than 50 fiction display descriptions, this book identifies themes for the entire year and includes titles for signage, annotated book lists, prop and material ideas, as well as photographs that show how to pull it all together. Proper library merchandising doesn't have to be prohibitively expensive, time-consuming, or constitute a huge headache. Ready-Made Book Displays explains the principles behind effective displays and presents a wide variety of ready-made book displays that can be easily replicated, providing catchy titles, materials and props lists, reproducible hand-outs, and photographs to guide librarians in quickly assembling successful displays. These display ideas can be utilized in several different venues—in-shelf, point-of-checkout, display case, and others—and can be targeted to coincide with events, holidays, and celebrations, as well as for general book promotion. Each of the 55 fiction displays includes a prop idea list, a related Dewey subject list, media tie-ins, and an annotated and reproducible booklist. It's everything the busy librarian needs to create appealing, successful book displays—all contained in one handy guidebook.

Ruth is coddled by her immigrant mother, who uses food to soothe and control. Francesca believes her heavy frame shames her Park Avenue society mother and, to provoke her, consumes everything in sight. Opal longs to be included in her glamorous mother's dinner dates, until a disturbing encounter changes her desires. And Setsu, a promising violinist, staves off conflict with her jealous brother by allowing him to take the choicest morsels from her plate. College brings the four young women together as suitemates, where their stories and appetites collide.

The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't." Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully comprehend its power. Offering a fresh perspective on what makes Gatsby great -- and utterly unusual -- So We Read On takes us into archives, high school classrooms, and even out onto the Long Island Sound to explore the novel's hidden depths, a journey whose revelations include Gatsby 's surprising debt to hard-boiled crime fiction, its rocky path to recognition as a "classic," and its profound commentaries on the national themes of race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience the greatness of Gatsby and cuts to the heart of why we are, as a culture, "borne back ceaselessly" into its thrall. Along the way, she spins a new and fascinating story of her own.

The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't." Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully comprehend its power. Offering a fresh perspective on what makes Gatsby great -- and utterly unusual -- So We Read On takes us into archives, high school classrooms, and even out onto the Long Island Sound to explore the novel's hidden depths, a journey whose revelations include Gatsby 's surprising debt to hard-boiled crime fiction, its rocky path to recognition as a "classic," and its profound commentaries on the national themes of race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience the greatness of Gatsby and cuts to the heart of why we are, as a culture, "borne back ceaselessly" into its thrall. Along the way, she spins a new and fascinating story of her own.