“My perfect summer read! Sure to be one of the sweetest, funniest, and sexiest books of the year.” —Emily Henry, #1 New York Times bestselling author of People We Meet on Vacation Named a Best Beach Read by Cosmopolitan, Entertainment Weekly, New York Post, Bustle, Country Living, Parade, Fortune, and more. What if you could be someone else? Just for the summer... Birdy has made a mistake. Everyone imagines running away from their life at some point. But Birdy has actually done it. And the life she's run into is her best friend Heather's. The only problem is, she hasn't told Heather. The summer job at the highland Scottish hotel that her world class wine-expert friend ditched turns out to be a lot more than Birdy bargained for. Can she survive a summer pretending to be her best friend? And can Birdy stop herself from falling for the first man she's ever actually liked, but who thinks she's someone else? One good friend's very bad decision is at the heart of this laugh-out-loud love story and unexpected tale of a woman finally finding herself in the strangest of places.

Insane innkeepers, cannibalistic cooks: the staff of the Brant Hotel would like to meet you! Massive nights, picturesque days: there is nothing Claire doesn't love about her summer job in Mission, Massachusetts. Claire is just trying to keep her head down and start a new life after burning out in the city, but those kids out in the woods seem like they throw awesome ragers... It's only once she's in too deep that Claire discovers the real tourist trade that keeps the town afloat, it's then that her soul-searching in Mission becomes a fight for her life. Crazed parties, dark rituals, and unexpected betrayals abound in this modern folk horror novel from the author of The Con Season and Video Night. "The prologue of The Summer Job is one the best and scariest openings to a horror novel I've ever read...The rest of the novel is equally great." -LitReactor "Cesare's latest is a knockout...There's a potent retro vibe running through Cesare's work, in general--he's the closest thing literary horror has to its own Jim Mickle or Ti West." -Complex "The textbook definition of a nail-biter. The Summer Job is a kissing cousin to inbred classics from masters like Ketchum and Kilborn. Cesare's best novel yet." -Bloody Disgusting

Rabagliati`s strip "Paul: Apprentice Typographer" was one of the highlights of 1999`s Drawn & Quarterly anthology, and his first comic book Paul in the Country won the 2000 Harvey award for Best New Talent. This, his first graphic novel, is eagerly anticipated by comix connoisseurs who enjoy a sweet, unsentimental story about being a teenager and Rabagliati's crisp retro-modern 1950s drawing style. Paul Has a Summer Job continues the story of Paul, a Quebecois teenager in the 1970s, as he experiences the first conflicts of responsibility with his desire to be free. Paul is outraged that he is forced to stop his high school art training. But he's been asked to put art aside because his other grades are so terribly low. Defiant, he quits school and anticipates a summer of leisure. But instead Paul follows the path of so many Quebecois teenagers: he lands a job as a counselor at one of the many summer camps in the mountains outside the city. There he finds himself guiding a motley band of kids, misfits and troublemakers, much like himself.

From the author of The Summer Job comes a laugh-out-loud, heartwarming story about one woman’s impulsive fib that jump starts a summer of reinvention and learning about love, life, and what it means to accept yourself. She has a plan. Fate has other ideas. The last place very average thirty-one-year-old Mara Williams thought she’d be is on a solo vacation impersonating her fortune teller when she finally meets the one. Josef, a gorgeous Austrian cellist, sits down for a reading and before she knows it, she’s telling him his destiny will be sitting in a pub in the English seaside town of Broadgate on the last Friday of August. And her name is Mara. Enter Project Mara: three months to turn herself into the stylish, confident woman she’s always hoped to be. Meanwhile, the crumbling, formerly glamorous beachside pool club where she works is under threat and her eccentric colleagues enlist her help to save it, just as a handsome new housemate casts doubts on her ideas about “the one.” Can Mara pull off the transformation of a lifetime? And by summer’s end, will she know who is her destiny?

An adrenaline-fueled read that will stay with you long after you turn the final page, Bad Call is a "compulsively readable, totally unforgettable" memoir about working on a New York City ambulance in the 1960s (James Patterson). Bad Call is Mike Scardino's visceral, fast-moving, and mordantly funny account of the summers he spent working as an "ambulance attendant" on the mean streets of late-1960s New York. Fueled by adrenaline and Sabrett's hot dogs, young Mike spends his days speeding from one chaotic emergency to another. His adventures take him into the middle of incipient race riots, to the scene of a plane crash at JFK airport and into private lives all over Queens, where New Yorkers are suffering, and dying, in unimaginable ways. Learning on the job, Mike encounters all manner of freakish accidents (the man who drank Drano, the woman attacked by rats, the man who inflated like a balloon), meets countless unforgettable New York characters, falls in love, is nearly murdered, and gets an early and indelible education in the impermanence of life and the cruelty of chance. Action-packed, poignant, and rich with details that bring Mike's world to technicolor life, Bad Call is a gritty portrait of a bygone era as well as a bracing reminder that, though "life itself is a fatal condition," it's worth pausing to notice the moments of beauty, hope, and everyday heroism along the way.

Brother and Sister want a job. How can they can convince Farmer Ben that two small cubs would be a big help down on the farm?

For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits. Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the job through his father’s connections, a fact which rightfully earns him disdain from the lifers. Guy’s dad spends his whole career in the white collar offices, working 9 to 5 instead of the rigorous 12-hour shifts of the unionized labor. Guy and his dad aren’t close, and Factory Summers leaves Delisle reconciling whether the job led to his dad’s aloofness and unhappiness. On his days off, Guy finds refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school–only to be told on the first day, “There are no jobs in animation.” Eager to pursue a job he enjoys, Guy throws caution to the wind. Translated by Helge Dascher and Rob Aspinall