Traces the rise and fall of Caribbean sugar dynasties, discussing the Britain's dependence on colony wealth, the role of slavery in sugar plantation culture, and the North American colonial opposition to sugar policy in London.

This innovative ethnography takes a new approach to the study of Philippine sugar. For much of the late colonial history of the Philippines, sugar was its most lucrative export, the biggest employer, and the greatest source of political influence. The so-called "Sugar Barons"--wealthy hacendero planters located mainly in Central Luzon and on the Visayan island of Negros--gained the reputation as kingmakers and became noted for their lavish lifestyles and the quasi-feudal nature of their estates. But Philippine sugar gradually declined into obsolescence; today it is regarded as a "sunset industry" that can barely satisfy domestic demand. While planters continue to think of themselves as wielding considerable power and influence, they are more often seen as vestiges of a bygone era. Michael Billig examines sugar's decline within both the dynamic context of contemporary Philippine society and the global context of the international sugar market. His multi-sited ethnographic analysis focuses mainly on conflicts among the various elite sectors (planters, millers, traders, commercial buyers, politicians) and concludes that the most salient political, economic, and cultural trend in the Philippines today is the decline of rural, agrarian elite power and the rise of urban industrial, commercial, and financial power. His reflections on his relationships with informants in the midst of the politically charged atmosphere that surrounds the sugar industry provide a candid look at the role of the observer who, try as he might to remain impartial, finds himself swept into the vortex of policy debates and power plays.

In 1773 England, Lady Keturah Banning Tomlinson and her sisters find themselves the heiresses of their father's estates and know they have one option: Go to the West Indies to save what is left of their heritage. Although it flies against all the conventions for women of the time, they're determined to make their own way in the world. But once they arrive in the Caribbean, proper gender roles are the least of their concerns. On the infamous island of Nevis, the sisters discover the legacy of the legendary sugar barons has vastly declined--and that's just the start of what their eyes are opened to in this unfamiliar world. Keturah never intends to put herself at the mercy of a man again, but every man on the island seems to be trying to win her hand and, with it, the ownership of her plantation. She could desperately use an ally, but even an unexpected reunion with a childhood friend leaves her questioning his motives. Set on keeping her family together and saving her father's plantation, can Keturah ever surrender her stubbornness and guarded heart to God and find the healing and love awaiting her?

The Panama Canal was the costliest undertaking in history; its completion in 1914 marked the beginning of the “American Century.” Panama Fever draws on contemporary accounts, bringing the experience of those who built the canal vividly to life. Politicians engaged in high-stakes diplomacy in order to influence its construction. Meanwhile, engineers and workers from around the world rushed to take advantage of high wages and the chance to be a part of history. Filled with remarkable characters, Panama Fever is an epic history that shows how a small, fiercely contested strip of land made the world a smaller place and launched the era of American global dominance.

The New York Times–bestselling author delivers “a riveting saga about Big Sugar flexing its imperialist muscle in Hawaii . . . A real gem of a book” (Douglas Brinkley, author of American Moonshot). Deftly weaving together a memorable cast of characters, Lost Kingdom brings to life the clash between a vulnerable Polynesian people and relentlessly expanding capitalist powers. Portraits of royalty and rogues, sugar barons, and missionaries combine into a sweeping tale of the Hawaiian Kingdom’s rise and fall. At the center of the story is Lili‘uokalani, the last queen of Hawai‘i. Born in 1838, she lived through the nearly complete economic transformation of the islands. Lucrative sugar plantations gradually subsumed the majority of the land, owned almost exclusively by white planters, dubbed the “Sugar Kings.” Hawai‘i became a prize in the contest between America, Britain, and France, each seeking to expand their military and commercial influence in the Pacific. The monarchy had become a figurehead, victim to manipulation from the wealthy sugar plantation owners. Lili‘u was determined to enact a constitution to reinstate the monarchy’s power but was outmaneuvered by the United States. The annexation of Hawai‘i had begun, ushering in a new century of American imperialism. “An important chapter in our national history, one that most Americans don’t know but should.” —The New York Times Book Review “Siler gives us a riveting and intimate look at the rise and tragic fall of Hawaii’s royal family . . . A reminder that Hawaii remains one of the most breathtaking places in the world. Even if the kingdom is lost.” —Fortune “[A] well-researched, nicely contextualized history . . . [Indeed] ‘one of the most audacious land grabs of the Gilded Age.’” —Los Angeles Times

"Sugar Baron is a brilliant, highly original narrative of the fluctuating fortunes of Cuba and its sugar industry during the republican period."--Franklin W. Knight, Johns Hopkins University "McAvoy's 'subject' is not simply Manuel Rionda as an individual, but the entire history of U.S.-Cuban relations from the Spanish-Cuban-American War to the Revolution of 1933. Believe it or not, such a story can be told from the vantage point of this one individual, and McAvoy has done it in exemplary fashion."--Cesar Ayala, University of California, Los Angeles Sugar Baron is the story of Manuel Rionda (1854-1943), who immigrated from Spain to Cuba as a boy of 16 to become a dominant operator in the international sugar trade and to stand at the crossroads of U.S.-Cuban economic relations. Through an examination of Rionda's career as founder of the Cuba Cane Sugar Corporation and of New York's major sugar brokerage firm, Muriel McAvoy gives us an in-depth history of Cuba's sugar industry and its economy during the first half of the 20th century. McAvoy examines the dilemmas of development and the constraints of financial dependency, probing the inside story of how both Wall Street's and Cuba's political elite viewed the crucial economic problems facing the island and how they attempted to solve them. In great detail, she elucidates conflicts among the various economic sectors in both Cuba and the United States, providing unique and often corrective insights. Stressing the significance of the Cuban elite in furthering and profiting from the development of Cuba as a sugar enclave, Sugar Baron shows that Rionda and the other hacendados did much to ensure that a single export would dominate their island's economy, enriching themselves in the process. Challenging the view that U.S. capitalism reduced Cuba's businessmen to helpless pawns, McAvoy provides a clearer view of the responsibility for events between the Spanish-American War and the triumph of Castro's revolution. Muriel McAvoy is professor emerita at Fitchburg State College, Massachusetts.

"Fascinating...A richly detailed portrait." -Michiko Kakutani, The New York Times Known in his day as the King of Sugar, Julio Lobo was the wealthiest man in prerevolutionary Cuba. He had a life fit for Hollywood: he barely survived both a gangland shooting and a firing squad, and courted movie stars such as Joan Fontaine and Bette Davis. Only when he declined Che Guevara's personal offer to become Minister of Sugar in the Communist regime did Lobo's decades-long reign in Cuba come to a dramatic end. Drawing on stories from the author's own family history and other tales of the island's lost haute bourgeoisie, The Sugar King of Havana is a rare portrait of Cuba's glittering past—and a hopeful window into its future.