From the acclaimed creator of Subway Book Review, Between the Lines gloriously takes to the underground and showcases in over 170 interviews what moves us forward—a thrilling ride as unexpected as New York City itself. “Subway Book Review has changed how we look at books.” —Forbes “[Beutter Cohen’s] rosy view of the subway is a refreshing contrast.” —The Cut, New York magazine “Subway Book Review is one of the few purely good things on the internet.” —Esquire For the better part of a decade, Uli Beutter Cohen rode the subway through New York City’s underground to observe society through the lens of our most creative thinkers: the readers of books. Between the Lines is a timely collection of beloved and never-before-published stories that reflect who we are and where we are going. In over 170 interviews, Uli shares nuanced insights into our collective psyche and gives us an invaluable document of our challenges and our potential. Complete with original photography, and countless intriguing book recommendations, Between the Lines is an enthusiastic celebration of the ways stories invite us into each other’s lives, and a call to action for imagining a bold, empathetic future together. Meet Yahdon, who reads Dapper Dan: Made in Harlem and talks about the power of symbols in fashion. Diana shares how Orlando shaped her journey as a trans woman. Saima reads They Say, I Say and speaks about the power of her hijab. Notable New Yorkers open up about their lives and reading habits, including photographer Jamel Shabazz, filmmaker Katja Blichfeld, painter Devon Rodriguez, comedian Aparna Nancherla, fashion editor Lynn Yaeger, playwright Jeremy O. Harris, fashion designer and TV personality Leah McSweeney, designer Waris Ahluwalia, artist Debbie Millman, activist Amani al-Khatahtbeh, and esteemed authors such as Jia Tolentino, Roxane Gay, Ashley C. Ford, Eileen Myles, Min Jin Lee, and many more.

Never was there a subway car who loved her job more than Jessie. From morning to night she carried all sorts of people all sorts of places—to work and school and World's Fairs, over bridges and through tunnels—sometimes she even took a pigeon along for the ride! But as time passed, sleek new silver cars began to take over the tracks, banishing Jessie to an abandoned lot. What will she do with no passengers to carry? And where will she go now that she's no longer welcome on the tracks? Based on the true story of 1960's-era subway cars that are now being used to create artificial reefs in the Atlantic, this stunningly illustrated second book from Julia Sarcone-Roach is sure to delight scuba diving historians and kids alike.

BECAUSE FOREVER IS A REALLY LONG TIME...For the last six years, Tim Scarberry has called Portland, Oregon home. Placed there by the Witness Protection Program, he has assimilated into the existence set up for him, trying to gain some level of enjoyment from the life he never asked for and even less wanted.An existence that is completely destroyed by a single phone call, nothing more than a message telling him that his last remaining tether to his old life has been severed in a most tragic and unexpected way.Having no choice but to abandon his adopted life and return to his roots, Scarberry finds himself dropped into a situation far more harrowing than he ever could have imagined. Allied with a single sheriff's deputy - a young woman he knew only briefly in his youth that is fighting battles of her own - the two face a network of illegal gun runners, apathetic bureaucracy, and federal agency, ultimately squaring off with the very thing Scarberry's been trying to avoid for so long...

Relates the sights and sounds of a subway ride through the boroughs of New York City.

A cinematic journey through the Seoul subway that masterfully portrays the many unique lives we travel alongside whenever we take the train. A poetic translation of the bestselling Korean picture book. I rattle and clatter over the tracks. Same time, same route, every day. Carrying people from one place to another, I travel over the ground and rumble under, twice across the wide Han River. Around I go, around and around. Crowds of people wait to climb aboard. Accompanied by the constant, rumbling ba-dum ba-dum of its passage through the city, the subway has stories to tell. Between sunrise and sunset, it welcomes and farewells people, and holds them--along with their joys, hopes, fears, and memories--in its embrace.

Some seven million people board the New York City subway every day, each one with a story to tell. The Subway Chronicles collects twenty-seven of the tales, dramas and comedies that unfold during the daily commute. From the “mole people” living in the subway tunnels, to the transit employees working behind the scenes, to the locals and tourists riding shoulder-to-shoulder in harmony, discord, or indifference, The Subway Chronicles offers a kaleidoscope of perspectives on this most public of spaces. Prominent New York writers weigh in: Jonathan Lethem confesses his childhood subway sins Colson Whitehead offers mass-transit tips for newcomers to the city Francine Prose recalls the thrill and apprehension of riding alone as a teenage girl Calvin Trillin pokes fun at the classic New York tendency to be skeptical about everything Stan Fischler delights in memories of riding the open-air train cars to Coney Island as a boy Equal parts hilarious, poignant, and heartbreaking, The Subway Chronicles is a journey into New York’s underground with some of today’s most loved writers.

"Heidi leads you on a guided tour through a subterranean world peopled by creative artists and sidewalk visionaries. Down winding tunnels and across gritty subway platforms, through her writing, both gritty and raw, she introduces you to an unforgettable cast of characters, not the least of whom is Heidi herself; a Renaissance woman, free spirit, and fearless adventurer in a world that millions pass through, but few know well. She takes you underground, where the music is the heartbeat of New York City. The chapters are informal, intimate diary entries, reading like a movie, jotted down at midnight after long sessions underground, so the book is a quick read, like a breathless ride on the uptown express.