On the occasion of the bicentenary of Edward Bulwer Lytton's birth, seventeen scholars from five countries have contributed essays devoted to many aspects of his career. After the first essay that analyzes the reasons for Bulwer's extraordinary reputation in his own day, twelve of the essays focus primarily upon one or more of the novels, from Falkland (1827) to Kenelm Chillingly (1873). Other novels examined include Bulwer's The Last Days of Pompeii, The Coming Race, The Parisians, and the Caxton trilogy, as well as his Newgate novels. In the volume are also considerations of the seminal treatise England and the English (1833), the incomplete history of Athens (1837), and the achievement of Bulwer Lytton as Colonial Secretary (1858-59). Two essays, one written by a descendant of Bulwer, deal with the overshadowing disaster of his life, the marriage to Rosina Wheeler, herself a novelist whose novels sought to undermine his. Bulwer emerges from this collection of essays as a challengingly complex but coherent figure that merits the respect of contemporary students of the Victorian phenomenon.

Presents a representative body of Romantic and early Victorian crime literature. This work contains ephemeral material ranging from gallows broadsides to reports into prison conditions. It is suitable for those studying Literature, Romantic and Victorian popular culture, Dickens Studies and the History of Criminology.

In 1858, Rosina Bulwer Lytton was incarcerated in a lunatic asylum by her husband, the eminent Victorian politician and novelist, Edward Bulwer Lytton. After the disintegration of their marriage, Rosina wrote letters to prominent figures in which she revealed details about Edward's mistresses and illegitimate children.

This volume offers a snapshot of current perspectives on translation studies within the specific historical and socio-cultural framework of Anglo-Italian relations. It addresses research questions relevant to English historical, literary, cultural and language studies, as well as empirical translation studies. The book is divided into four chapters, each covering a specific research area in the scholarly field of translation studies: namely, historiography, literary translation, specialized translation and multimodality. Each case study selected for this volume has been conducted with critical insight and methodological rigour, and makes a valuable contribution to scientific knowledge in the descriptive and applied branches of a discipline that, since its foundation nearly 50 years ago, has concerned itself with the description, theory and practice of translating and interpreting.

This book is devoted to Mary Elizabeth Braddon's complex relationship with the three main Victorian literary genres: the Gothic, the Detective and the Realist novel. Using Braddon's bestselling sensation fiction Lady Audley's Secret as a paradigmatic novel and as a 'haunting' textual presence across her literary career, this study provides a fertile critical reading of a wide range of Braddon's novels and short stories. Through an analysis of Braddon's negotiations with Victorian narrative, ideological and cultural issues, this monograph offers readers a refreshing view of gender, female identity and subjectivity, the treatment of insanity, questions related to technology and progress, the impact of evolutionism and Darwinism, the intersemiotic dialogue between pictorial art and novel-writing, the role of the (female) writer in the new literary market and the changing notion of capital in an increasingly fluid social context. Braddon's manipulation of Victorian literary codes and conventions proves that she was something more than a mere sensation writer and that her primary role in the nineteenth-century literary scene has to be reaffirmed. Drawing on a wide range of textual materials and literary sources, the book foregrounds Braddon's constant and sometimes ambivalent dialogue with her times, and with ours as well.