The Domain of Syntax explores the consequences for syntax of assuming that language is grounded in cognition and perception. He considers whether this permits a lexicalist approach to syntax that would allow it to dispense not only with structural mutations but with universal grammar itself.

The contributions of this volume centre around the (ongoing) work of John Anderson, Professor Emeritus at the University of Edinburgh and Fellow of the British Academy, who, with detailed studies in phonology, morphology, semantics and syntax as well as careful discussions of historical and methodological issues in linguistics at large, has been and still is the central figure in the development of a theory of language structure driven by the assumption of structural analogy between syntax and phonology and firmly grounded in the long-standing tradition of substantively based grammar behind it. The first contribution is a lengthy ‘interview’, based on a series of written interchanges by József Andor with John Anderson, which focuses on the development of Anderson’s work and its relation to contemporaneous developments in linguistics. The following eight contributions, centring on general issues concerning the historiography of localism, the lexicon, meaning and syntax and, finally, phonology, deal with applications, extensions, answers to criticism and philosophical context of Anderson’s work.

Harry van der Hulst's model of Radical CV Phonology has roots in the framework of Dependency Phonology, but proposes a rather different 'geometry', which reduces the set of unary elements to just two: |C| and |V|. The model explains the phonological distinctions that function contrastively in the world's languages rather than presenting it as a 'random' list. Van der Hulst shows how this model accounts for a number of central claims about markedness and minimal specification. He explains how the representational system accounts for phonological rules and shows how this theory can be applied to sign language structure. Through comparison to other models, he also provides insight into current theories of segmental structure, commonly used feature systems, as well as recurrent controversies.

Phonology-Syntax Analogies looks at the degree to which analogies between syntax and phonology result from their being representational subsystems within the overall system of language, at why they sometimes break down, and at how far semantic and phonetic properties limit such analogies.

This handbook provides a detailed account of the phenomenon of vowel harmony, a pattern according to which all vowels within a word must agree for some phonological property or properties. Vowel harmony has been central in the development of phonological theories thanks to its cluster of remarkable properties, notably its typically 'unbounded' character and its non-locality, and because it forms part of the phonology of most world languages. The five parts of this volume cover all aspects of vowel harmony from a range of theoretical and methodological perspectives. Part I outlines the types of vowel harmony and some unusual cases, before Part II explores structural issues such as vowel inventories, the interaction of vowel harmony and morphological structure, and locality. The chapters in Part III provide an overview of the various theoretical accounts of the phenomenon, as well as bringing in insights from language acquisition and psycholinguistics, while Part IV focuses on the historical life cycle of vowel harmony, looking at topics such as phonetic factors and the effect of language contact. The final part contains 31 chapters that present data and analysis of vowel harmony across all major language families as well as several isolates, constituting the broadest coverage of the phenomenon to date.