The three linked but independent volumes of 'The Substance of Language' collectively overhaul linguistic theory from phonology to semantics and syntax to pragmatics and offer a full account of how linguistic related to function. They comprise a powerfully coherent understanding of the nature of language.

The contributions to this volume smoothly blend synchronic theory and diachronic investigations, and thus offer novel observations about the historical evolution of the English language from various theoretical angles (such as minimalist theory, formal semantics, recent theories on productivity, and various discourse models). By offering new vantage points and improved frameworks for the study of Present-Day English, the papers also provide solutions to problems that have been persistently present in the synchronic analysis of English. The papers are arranged around four thematic headings. The first part discusses patterns and models of replacement, while the second focuses on syntactic and semantic variation. The third part presents case studies of the historical development of adverbials and particles. The final part investigates functional and regional variation in discourse and vocabulary. The 15 peer-reviewed, revised papers were originally presented at the 16th International Conference on English Historical Linguistics held in August 2010 in Pécs, Hungary. The volume will appeal to linguists interested in a wide range of areas of linguistic research, including language change, grammatical theory, language variation, semantic change, diachronic discourse analysis, translation studies, and corpus-based study of English.

The contributions of this volume centre around the (ongoing) work of John Anderson, Professor Emeritus at the University of Edinburgh and Fellow of the British Academy, who, with detailed studies in phonology, morphology, semantics and syntax as well as careful discussions of historical and methodological issues in linguistics at large, has been and still is the central figure in the development of a theory of language structure driven by the assumption of structural analogy between syntax and phonology and firmly grounded in the long-standing tradition of substantively based grammar behind it. The first contribution is a lengthy ‘interview’, based on a series of written interchanges by József Andor with John Anderson, which focuses on the development of Anderson’s work and its relation to contemporaneous developments in linguistics. The following eight contributions, centring on general issues concerning the historiography of localism, the lexicon, meaning and syntax and, finally, phonology, deal with applications, extensions, answers to criticism and philosophical context of Anderson’s work.

This handbook provides a detailed account of the phenomenon of vowel harmony, a pattern according to which all vowels within a word must agree for some phonological property or properties. Vowel harmony has been central in the development of phonological theories thanks to its cluster of remarkable properties, notably its typically 'unbounded' character and its non-locality, and because it forms part of the phonology of most world languages. The five parts of this volume cover all aspects of vowel harmony from a range of theoretical and methodological perspectives. Part I outlines the types of vowel harmony and some unusual cases, before Part II explores structural issues such as vowel inventories, the interaction of vowel harmony and morphological structure, and locality. The chapters in Part III provide an overview of the various theoretical accounts of the phenomenon, as well as bringing in insights from language acquisition and psycholinguistics, while Part IV focuses on the historical life cycle of vowel harmony, looking at topics such as phonetic factors and the effect of language contact. The final part contains 31 chapters that present data and analysis of vowel harmony across all major language families as well as several isolates, constituting the broadest coverage of the phenomenon to date.

The Routledge Handbook of Phonological Theory provides a comprehensive overview of the major contemporary approaches to phonology. Phonology is frequently defined as the systematic organisation of the sounds of human language. For some, this includes aspects of both the surface phonetics together with systematic structural properties of the sound system; for others, phonology is seen as distinct from, and autonomous from, phonetics. The Routledge Handbook of Phonological Theory surveys the differing ways in which phonology is viewed, with a focus on current approaches to phonology. Divided into two parts, this handbook: covers major conceptual frameworks within phonology, including: rule-based phonology; Optimality Theory; Government Phonology; Dependency Phonology; and connectionist approaches to generative phonology; explores the central issue of the relationship between phonetics and phonology; features 23 chapters written by leading academics from around the world. The Routledge Handbook of Phonological Theory is an authoritative survey of this key field in linguistics, and is essential reading for students studying phonology.

This book deals with the phenomenon of vowel harmony, a phonological process whereby all the vowels in a word are required to share a specific phonological property, such as front or back articulation. Vowel harmony occurs in the majority of languages of the world, though only in very few European languages, and has been a central concern in phonological theory for many years. In this volume, Harry van der Hulst puts forward a new theory of vowel harmony, which accounts for the patterns of and exceptions to this phenomenon in the widest range of languages ever considered. The book begins with an overview of the general causes of asymmetries in vowel harmony systems. The two following chapters provide a detailed account of a new theory of vowel harmony based on unary elements and licensing, which is embedded in a general dependency-based theory of phonological structure. In the remaining chapters, this theory is applied to a variety of vowel harmony phenomena from typologically diverse languages, including palatal harmony in languages such as Finnish and Hungarian, labial harmony in Turkic languages, and tongue root systems in Niger-Congo, Nilo-Saharan, and Tungusic languages. The volume provides a valuable overview of the diversity of vowel harmony in the languages of the world and is essential reading for phonologists of all theoretical persuasions.

Harry van der Hulst's model of Radical CV Phonology has roots in the framework of Dependency Phonology, but proposes a rather different 'geometry', which reduces the set of unary elements to just two: |C| and |V|. The model explains the phonological distinctions that function contrastively in the world's languages rather than presenting it as a 'random' list. Van der Hulst shows how this model accounts for a number of central claims about markedness and minimal specification. He explains how the representational system accounts for phonological rules and shows how this theory can be applied to sign language structure. Through comparison to other models, he also provides insight into current theories of segmental structure, commonly used feature systems, as well as recurrent controversies.