"The Stylistics Reader" documents the significant impact of linguistic theory on literary studies. It brings together in one accessible volume key essays and writings which mark the development of stylistics as a discipline from its formalist beginnings to the contextualized, discourse-basedapproaches practised today. The carefully selected readings are arranged in eight sections, each of which introduces a particular approach: formalist, functionalist, affective, pedagogical, pragmatic, critical, feminist and cognitive.The extracts included have been chosen to provide a full sense of what stylistics is all about. The collection is prefaced by an extensive editorial introduction which provides an overview of the area, places each piece in its context and clarifies its main points. There are suggestions for furtherreading as well as notes and references for each essay.

The Stylistics Reader documents the significant impact of linguistic theory on literary studies. It brings together in one accessible volume key essays and writings which mark the development of stylistics as a discipline from its formalist beginnings to the contextualized, discourse-basedapproaches practised today. The carefully selected readings are arranged in eight sections, each of which introduces a particular approach: formalist, functionalist, affective, pedagogical, pragmatic, critical, feminist and cognitive. The extracts included have been chosen to provide a full sense ofwhat stylistics is all about. The collection is prefaced by an extensive editorial introduction which provides an overview of the area, places each piece in its context and clarifies its main points. There are suggestions for further reading as well as notes and references for each essay.

Written over the last thirty years, this collection of Professor Peter Verdonk's most important work on the stylistics of poetry clearly shows that the stylistics of poetic discourse is a diverse and valuable interdiscipline. Discussing the poetry of Auden, Heaney and Larkin amongst many others, Verdonk covers everything from intrinsic textual meaning and external context in its widest sense to the reader's cognitive and emotive response to poems. The book will appeal to all students on stylistics and literary linguistics courses, especially those focussing on poetry and poetic language.

In treating the topic of the landscapes of stylistics, this book provides a series of chapters which deal not only with physical landscapes but also with social, mental, historical portraits of places, people and society. The chapters demonstrate that all texts project a worldview, even when the content appears to be only a physical description of the external world. The implication is that texts attempt to produce specific effects on the reader determined by the author’s worldview. Contents and effects, (namely mental and emotional states, behaviours), are thus inseparable. Identifying those effects and how they are produced is an eminently cognitive operation. The chapters analyse a variety of linguistic devices and cognitive mechanisms employed in producing the text and accounting for the effects achieved. Though the majority of the chapters have a cognitive basis, a wide range of methodologies are employed, including ecostylistics, offering cutting-edge theoretical approaches teamed up with close reading. A further crucial feature of this collection is the selection of non-canonical texts, ranging from lesser-known texts in English to significant works in languages other than English, all of which are characterised by important social themes, thus emphasising the importance of critical appreciation as a means of self-empowerment.

This is a comprehensive introduction to literary stylistics offering an accessible overview of stylistic, with activities, study questions, sample analyses, commentaries and key readings - all in the same volume.

An introduction to the study of style in language, offering practical advice on how to stylistically analyse texts.

Including examples from a broad range of sources, this book explores the pragmatic functions and effects of 'you' across time, genre and medium, to provide an encompassing theoretical framework for the second-person pronoun. With its unique inter-disciplinary perspective, it will interest students and scholars of both linguistics and literature.