This book provides the first systematic critique of the concept of climate change adaptation within the field of international development. Drawing on a reworked political ecology framework, it argues that climate is not something ‘out there’ that we adapt to. Instead, it is part of the social and biophysical forces through which our lived environments are actively yet unevenly produced. From this original foundation, the book challenges us to rethink the concepts of climate change, vulnerability, resilience and adaptive capacity in transformed ways. With case studies drawn from Pakistan, India and Mongolia, it demonstrates concretely how climatic change emerges as a dynamic force in the ongoing transformation of contested rural landscapes. In crafting this synthesis, the book recalibrates the frameworks we use to envisage climatic change in the context of contemporary debates over development, livelihoods and poverty. With its unique theoretical contribution and case study material, this book will appeal to researchers and students in environmental studies, sociology, geography, politics and development studies.

This book explores contemporary African adaptations of classical Greek tragedies. Six South African and Nigerian dramatic texts – by Yael Farber, Mark Fleishman, Athol Fugard, Femi Osofisan, and Wole Soyinka – are analysed through the thematic lens of resistance, revolution, reconciliation, and mourning. The opening chapters focus on plays that mobilize Greek tragedy to inspire political change, discussing how Sophocles’ heroine Antigone is reconfigured as a freedom fighter and how Euripides’ Dionysos is transformed into a revolutionary leader. The later chapters shift the focus to plays that explore the costs and consequences of political change, examining how the cycle of violence dramatized in Aeschylus’ Oresteia trilogy acquires relevance in post-apartheid South Africa, and how the mourning of Euripides’ Trojan Women resonates in and beyond Nigeria. Throughout, the emphasis is on how playwrights, through adaptation, perform a cultural politics directed at the Europe that has traditionally considered ancient Greece as its property, foundation, and legitimization. Van Weyenberg additionally discusses how contemporary African reworkings of Greek tragedies invite us to reconsider how we think about the genre of tragedy and about the cultural process of adaptation. Against George Steiner’s famous claim that tragedy has died, this book demonstrates that Greek tragedy holds relevance today. But it also reveals that adaptations do more than simply keeping the texts they draw on alive: through adaptation, playwrights open up a space for politics. In this dynamic between adaptation and pre-text, the politics of adaptation is performed.

Drawing on concepts in political economy, political ecology, justice theory, and critical development studies, the authors offer the first comprehensive, systematic exploration of the ways in which adaptation projects can produce unintended, undesirable results. This work is on the Global Policy: Next Generation list of six key books for understanding the politics of global climate change.