This may well be the first book devoted to a single photograph. And surely no photo is more deserving of a comprehensive study than this one, widely considered the most striking and unforgettable image we have of the Holocaust.

On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

A cobblestone road. A sunny day. A soldier. A gun. A child, arms high in the air. A moment captured on film. But what is the history behind arguably the most recognizable photograph of the Holocaust? In The Boy: A Holocaust Story, the historian Dan Porat unpacks this split second that was immortalized on film and unravels the stories of the individuals—both Jews and Nazis—associated with it. The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.

The man the New York Times has called "the preeminent scholar of the Holocaust" tells the stories of those who caused, experienced, and witnessed the great human catastrophe.

The Warsaw Ghetto Uprising has become a symbol of heroism throughout the world. A short time before the uprising began, Pawel Frenkel addressed a meeting of the Jewish Military fighters: Of course we will fight with guns in our hands, and most of us will fall. But we will live on in the lives and hearts of future generations and in the pages of their history.... We will die before our time but we are not doomed. We will be alive for as long as Jewish history lives! On the eve of Passover, April 19, 1943, German forces entered the Warsaw ghetto equipped with tanks, flame throwers, and machine guns. Against them stood an army of a few hundred young Jewish men and women, armed with pistols and Molotov cocktails. Who were these Jewish fighters who dared oppose the armed might of the SS troops under the command of SS General Juergen Stroop? Who commanded them in battle? What were their goals? In this groundbreaking work, Israel s former Minister of Defense, Prof. Moshe Arens, recounts a true tale of daring, courage, and sacrifice that should be accurately told out of respect for and in homage to the fighters who rose against the German attempt to liquidate the Warsaw ghetto, and made a last-ditch fight for the honor of the Jewish people. The generally accepted account of the Warsaw Ghetto Uprising is incomplete. The truth begins with the existence of not one, but two resistance organizations in the ghetto. Two young men, Mordechai Anielewicz of the Jewish Fighting Organization (ZOB), and Pawel Frenkel of the Jewish Military Organization (ZZW), rose to lead separate resistance organizations in the ghetto, which did not unite despite the desperate battle they were facing. Included is the complete text of The Stroop Report translated into English.

"Relying largely on Stroop's own words ... Moczarski recreates the chain of events which caused a nondescript German youth, the son of a provincial policeman, to rise to the top of the Nazi hierarchy; become part of the inner circle of Hitler, Himmler, and Göring; wield ... power in Czechoslovakia, Soviet Russia, and Greece; and mastermind Warsaw's "Final solution"--Jacket.