“A startling, clear-eyed” memoir of an immigrant girl’s childhood in early 20th century NYC from the journalist and Tony-winning co-author of Kiss Me Kate (Booklist). Born in Transylvania in 1899, Bella Spewack arrived on the streets of New York’s Lower East Side when she was three. At twenty-two, while working as a reporter with her husband in Europe, she wrote a memoir of her childhood that was never published. More than seventy years later, the publication of Streets recovers a remarkable voice and offers a vivid chronicle of a lost world. Bella, who went on to a brilliant career write for stage and screen with her husband Sam, describes the sights, sounds, and characters of urban Jewish immigrant life after the turn of the century. Witty, street-smart, and unsentimental, Bella was a genuine American heroine who displays in this memoir “a triumph of will and spirit” (The Jewish Week).

“Lerner will always be remembered as a Broadway light, and one of the brightest.” —Tom Shales, The Washington Post The Street Where I Live is at once an intimate biography of three great shows—My Fair Lady, Gigi, and Camelot—and a candid account of the life and times of Alan J. Lerner, one of America’s most acclaimed and popular lyricists. Large-hearted, humorous, and often poignant in its reverence for a celebrated era in the American theater, this is the story of what Lerner calls "the sundown of wit, eccentricity, and glamour." Try as he might to keep himself out of these pages, Lerner reveals himself to be a man of great talent, laughter, and love. Along the way, we meet a sensational supporting cast: Moss Hart, Fritz Loewe, Julie Andrews, Richard Burton, Rex Harrison, Cecil Beaton, Louis Jourdan, and Maurice Chevalier, to name a few. They are seen in moments of triumph and disaster, but all are professionals at the creation of theater. And the creation of theater is the matrix of this wonderful book. Included are the complete lyrics to My Fair Lady, Gigi, and Camelot.

A popular guest at many of the town's finest homes, he particularly enjoyed participating in the sombre discussions about Martha's disappearance that still came up from time to time over the dinner table. 'I could tell you about it, every little detail,' he said to himself with a self-satisfied smile as he strolled the boardwalk, exchanging pleasantries with good friends he met along the way. 'But of course I won't. That's our secret: mine and Martha's.' In the gripping new novel from the Queen of Suspense, a young woman is haunted by two murders that are closely linked - despite the one hundred and ten years that separate them. Following the acrimonious breakup of her marriage and the searing experience of being pursued by an obsessed stalker, criminal defense attorney Emily Graham accepts an offer to leave Albany and work in a major law firm in Manhattan. Feeling a need for roots, she buys her ancestral home, a restored Victorian house in the historic New Jersey seaside resort town of Spring Lake. Her family had sold the house in 1892, after one of Emily's forebears, Madeline Shapley, then still a young girl, disappeared. Now, more than a century later, as the house is being renovated and the backyard excavated for a pool, the skeleton of a young woman is found. She is identified as Martha Lawrence, who had disappeared from Spring Lake over four years ago. Within her skeletal hand is the finger bone of another woman with a ring still on it - a Shapley family heirloom. In seeking to find the link between her family's past and the recent murder, Emily becomes a threat to a devious and seductive killer, who has chosen her as his next victim.

Alone, in his early forties and calling himself Joe Homeless, he wanders the streets of New York City. He is not a drug addict; he is not an alcoholic; he has never been a convict. But one thing he is--he is unwanted. My Life On The Street is the savage, poignant memoir of one of the world's homeless, faceless persons. Joe once had a job, money and a home. But now, his only home is the street. How he got there, what he does there and how he survives are his passionate themes. Deserted by family and friends, Joe has existed in an atmosphere of fear and violence for over ten years. He has survived hunger, freezing temperatures, wild dogs and physical abuse. He has been hunted like an animal by vigilante block associations armed with baseball bats. Along the way Joe found and repaired an old tape recorder and began dictating his experiences in basements and on rooftops--anywhere he could find a quiet spot alone. Years and several tape recorders later, he had over thirty cassettes that told his story. From rush hour subway platforms, Joe recruited a staff of volunteers: musicians and writers, editors and lawyers who transcribed and edited Joe's account of his decade on the streets. Joe finally found help on the street from these people who either admired his guts and persistence, or felt a social responsibility to get his manuscript published. And, although Joe wanted his story told to "make a buck and get me off the street", he also wants to "make things better for everybody else in the street" by letting people know the truth about a homeless existence. Joe Homeless is a pen name adopted to protect the author's identity on the streets, where he feels threatened by police, residents andhis fellow homeless.

A visual delight and an inspiration for every bibliophile with a growing home library, this dream-and-drool design book features some of the most jaw-dropping book collections of homeowners around the world. NAMED ONE OF JO’S FALL FAVORITES IN MAGNOLIA JOURNAL Interior designer Nina Freudenberger, New Yorker writer Sadie Stein, and Architectural Digest photographer Shade Degges give readers a peek at the private libraries and bookshelves of passionate readers all over the world, including Larry McMurtry, Silvia Whitman of Shakespeare and Co., Gay and Nan Talese, and Emma Straub. Throughout, gorgeous photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books inspire readers to live better with their own collections. Praise for Bibliostyle “Featuring enviable private libraries and packed floor-to-ceiling shelves, this beautiful volume makes a compelling case for books as décor.”—New York “Freudenberger spotlights the splendid, enviable personal libraries of literary figures whose owners obviously care about their book collections and have actually read them, too.”—The Boston Globe “This is a coffee table book that makes you think as well as admire and desire.”—Sydney Herald “Offers a look into the fabulous homes of book lovers the world over, showcasing how their interior design is built around the tomes they love most.”—CN “The photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books will inspire readers to live better with their own collections.”—Publishers Weekly “Nina Freudenberger teams with Sadie Stein of The New Yorker and photographer Shade Degges of Architectural Digest to showcase beautiful photographs of the private libraries of book lovers from all over the world.”—BookRiot

An “achingly beautiful” memoir about a mother’s mission to rescue her two teenage daughters from the streets and bring them back home (Kirkus Reviews, starred review). After a miserably failed marriage, Debra Gwartney moves with her four young daughters to Eugene, Oregon, for a new job and what she hopes will be a new life for herself and her family. But the two oldest, fourteen-year-old Amanda and thirteen-year-old Stephanie, blame their mother for what happened, and one day the two run off together—to the streets of their own city, then San Francisco, then nowhere to be found. The harrowing subculture of the American runaway, with its random violence, its dangerous street drugs, and its patchwork of hidden shelters, is captured with brilliant intensity in Live Through This as this panicked mother sets out to find her girls—examining her own mistakes and hoping against hope to bring them home and become a family again, united by forgiveness and love. “For all the raw power of this true story and the fearless honesty of the voice telling it, what sticks out for me is the literary craft that shapes every sentence. Debra Gwartney has seen clear to the bottom of her experience, purged it of self-righteousness, and emerged with a stunningly humane and humbled awareness of life’s troubles” —Phillip Lopate