This Elibron Classics title is a reprint of the original edition published by Walter Scott, Ltd. in London, 1896.

First published in 1963. Matthew Arnold grew up under the personal as well as literary influence of Wordsworth, when Keats, Shelley, and Byron were dominant poetic forces and Coleridge a seminal thinker on social and religious problems. However, the great Romantics were not always positive influences. This study attempts to provide an examination of Arnold by exploring and evaluating the full range of Arnold’s reactions to the major Romantic poets over his whole career. This title will be of interest to students of literature.

A major aim of Grob's study is to show Arnold as poet to be possessed of far greater philosophic depth and subtlety than his critics have usually credited him with by identifying the deep affinities and shared weltanschauung of his poetic vision with the metaphysical pessimism of Schopenhauer, the major European philosopher whose insistence on the cosmic opposition between the world as will and the world as idea provided the most important philosophic alternative in the nineteenth century to the age's otherwise dominant progressive historicism."--Jacket.

Examines the critical reputation of one of the great literary critics. From the publication of The Strayed Reveller and Other Poems in 1849, Matthew Arnold has been a figure of controversy who sparked decidedly strong and divergent opinions -- both about the quality of his artistry and about the ideas he espoused. Not surprisingly, a chronological reading of books and articles focusing on Arnold's writings reveals a century-long civil war among literary scholars. Focusing on studies judged to be most influential in shaping critical opinion of Arnold's poetry and prose, Matthew Arnold: The Critical Legacy explores the interplay between individual critics and Arnold's works, and between one critic and another as they respond to Arnold's writings and the critical commentary. There emerges an appreciation for the key questions that have captured the attention of Arnold's critics for over a hundred years: Was Arnold a first-rate poet, or does he rank below the greatest figures of his century, notably Tennyson and Browning?