Carter Morrison didn't want to kill his friends, or himself, but he had a good reason. It was them, or the end of all life on the planet. Their sacrifice saved the world. Not that anyone knew it. Until Katherine Manners stumbled over a melting man in a computer room clutching a message of doom from another world. Follow Carter Morrison, Catherine Manners, Elandine the Queen of Hazurrium, and Jason Cole - also known as the Betrayer - as they try to understand, survive, save, and in Jason's case, break free of the fictional worlds that insulate Earth from the dangers of the Strange, where world-eating monstrosities called planetovores lurk. File Under: Science Fantasy [ Between the Worlds | Stranger Things | Virtual Unreality | The Printed Man ]

"Carter Morrison didn't want to kill his friends, or himself, but he had a good reason. It was either them, or the end of all life on the planet: their sacrifice saved the world. Not that anyone knew it, until Katherine Manners stumbled over a melting man in a computer room clutching a message of doom from another world."

Myths and Myth-Makers by John Fiske is a textbook about comparative mythology providing insight into prejudice and human nature. Excerpt: "IN publishing this somewhat rambling and unsystematic series of papers, in which I have endeavored to touch briefly upon a great many of the most important points in the study of mythology, I think it right to observe that, to avoid confusing the reader with intricate discussions, I have sometimes cut the matter short, expressing myself with dogmatic definiteness where a skeptical vagueness might perhaps have seemed more becoming. In treating popular legends and superstitions, the paths of inquiry are circuitous enough, and seldom can we reach a satisfactory conclusion until we have traveled around Robin Hood's barn and back again."

Reprint of the original, first published in 1877.

Readers who are intrigued, though often mystified, by the intellectual fantasies of Jorge Luis Borges will find this book a revelation, a skeleton key to one of the most fundamental and baffling aspects of Borges’s fictions: the pattern of symbolism with an inner meaning. Carter Wheelock’s study reduces a number of literary and intellectual abstractions to concrete terms, enabling the reader to understand Borges’s fantasies in ways that show them to be not so fantastic after all. Indeed, they are amazingly consistent and minutely accurate in their symbolic depiction of the magic universe of the mind. Wheelock also discusses the affinity between Borges’s philosophical idealism and his “esthetic of the intelligence,” the relationship between these and the esthetic ideas of French Symbolism, and the influence on his fictions of the Rubáiyát of Omar Khayyám. Why is it that this “writer’s writer” from the Argentine—erudite, allusive, elusive—has attracted such international attention? In Wheelock’s opinion, it is because he has symbolized in his short stories the fundamental form of the human consciousness, the functioning of the imaginative (world-creating) mechanism, and the eternal battle between form and chaos. The Mythmaker is concerned with elucidating the particulars of Borges’s fictional works, but even as it does so it also reveals their universality.