Paris, 1890. When Sherlock Holmes finds himself chasing an art dealer through the streets of Paris, he’s certain he’s smoked out one of the principals of a cunning forgery ring responsible for the theft of some of the Louvre’s greatest masterpieces. But for once, Holmes is dead wrong. He doesn’t know that the dealer, Theo Van Gogh, is rushing to the side of his brother, who lies dying of a gunshot wound in Auvers. He doesn’t know that the dealer’s brother is a penniless misfit artist named Vincent, known to few and mourned by even fewer. Officialdom pronounces the death a suicide, but a few minutes at the scene convinces Holmes it was murder. And he’s bulldog-determined to discover why a penniless painter who harmed no one had to be killed–and who killed him. Who could profit from Vincent’s death? How is the murder entwined with his own forgery investigation? Holmes must retrace the last months of Vincent’s life, testing his mettle against men like the brutal Paul Gauguin and the secretive Toulouse-Lautrec, all the while searching for the girl Olympia, whom Vincent named with his dying breath. She can provide the truth, but can anyone provide the proof? From the madhouse of St. Remy to the rooftops of Paris, Holmes hunts a killer—while the killer hunts him.

London is in flux. The clop of the hansom cab has given way to the madness of the motorcar. And Sherlock Holmes, safe in the bee-loud glades of the Sussex downs, is lured back to London when a problem is posed to him by Dr. Watson and Watson’s friend, Col. Higgins. Is the transformation of Eliza Doolittle from girl of the streets to duchess more than it seems? Is it really the work of Henry Higgins’s phonetics lessons or has another girl been substituted for her, and why? Has the original girl been murdered? Even Eliza’s father can’t say for sure. Posing as a rich American gangster, Holmes infiltrates the Higgins household. He meets Freddy, a seemingly ubiquitous suitor, and the mysterious Baron Von Stettin, Bavarian attaché. He brushes up against a doctor whose potions can turn Eliza from a spitfire into a kitten. And he faces a deadly enemy who had been thought dead for twenty years. The world of Sherlock Holmes will never be the same.

trange Event in the Life of Schalken the Painter is a series of short stories by J. Sheridan Le Fanu. Mostly set in Ireland, they include some classic stories of gothic terror, with ominous castles, madness and suicide.

Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.

John Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

"This richly illustrated examination of visual arts in the European tradition shows how the great masters employed the Golden Mean and other geometrical patterns to compose their paintings. Up-to-date examples include works by Klee and Pollack. Highly sought-after cult classic and vade mecum for students of art history and artistic composition"--