"Dr. Simmonds, a well-established general practitioner in London's Swiss Cottage, finds himself ministering more and more in the postwar 1950s to the ills of the Jewish refugees from Nazi Germany who have settled thickly in his old neighborhood. He also finds himself irresistibly drawn into an increasingly troubling fantasy life by Yvonne Bloomberg, the attractive young wife of one of his more, to him, execrable patients." "Repelled as he is by Anton Bloomberg's "running nose, his wheezing chest, the rust in his pelvis, the Christmas alcohol in his liver, the Scrooge in his soul," Simmonds can imagine only the repugnance the pretty, vulnerable Yvonne must feel at her husband's proprietary touch. It's when she sends Simmonds a copy of Dr. Glas, a novel about a doctor who colludes with a patient in the murder of her spouse, that the boundaries between reality and fantasy begin to blur, and Simmonds begins to act upon impulses rising from a darker, undoctorly side of his nature." "Blind to the prejudices that blind him, Simmonds unwittingly reveals in the disquieting pages of his journals the rancor he harbors in his soul as he sets out on a course that withholds its full horror until the very end."--BOOK JACKET.

The Poetics of Crime provides an invitation to reconsider and reimagine how criminological knowledge may be creatively and poetically constructed, obtained, corroborated and applied. Departing from the conventional understanding of criminology as a discipline concerned with refined statistical analyses, survey methods and quantitative measurements, this book shows that criminology can - and indeed should - move beyond such confines to seek sources of insight, information and knowledge in the unexplored corners of poetically and creatively inspired approaches and methodologies. With chapters illustrating the ways in which criminologists and other researchers or practitioners working on crime-related questions can find inspiration in a variety of unconventional materials, writing styles and analytical strategies, The Poetics of Crime offers studies of police photography, classic and contemporary literature, silver screen movies, performative dance enactments and media images. As such, this volume opens up the field of criminological research to alternative and novel sources of knowledge about crime, its perpetrators and victims, authorities, motives and justice. It will therefore appeal not only to sociologists, social theorists and criminologists, but to scholars across disciplines with interests in crime, deviance and innovative approaches to social research.

A series of essays presented in honor of Ross Shideler focusing on gender in contemporary Nordic literature.

From The Other Boleyn Girl to Fingersmith , this collection explores the popularity of female-centred historical novels in recent years. It asks how these representations are influenced by contemporary gender politics, and whether they can be seen as part of a wider feminist project to recover women's history.

Neo-Victorian writers invoke conflicting viewpoints in diaries, letters, etc. to creatively retrace the past in fragmentary and contradictory ways. This book explores the complex desires involved in epistolary discoveries of 'hidden' Victorians, offering new insight into the creative synthesising of critical thought within the neo-Victorian novel.

As an independent publisher, Jeremy Robson always punched above his weight with a roster of authors that have been the envy of many large publishers. As a poet, he has been at the centre of the poetry scene since the 1960s, with a number of highly praised volumes to his credit and the friendship of many leading poets and musicians. In this engrossing memoir, Robson looks back at both his publishing career and life as a poet. Stories abound; whether it be driving Muhammad Ali around Britain, coping with Michael Winner or working in the desert with David Ben-Gurion. Time spent joyously laughing with Maureen Lipman and Alan Coren while undertaking an exciting poetry reading tour with Ted Hughes, and packing the Royal Festival Hall for a historic poetry and jazz concert. Jeremy recounts treasured and life-long friendships with the poets and writers; Dannie Abse, Alan Sillitoe, Vernon Scannell, Laurie Lee, Yevgeny Yevtushenko, Elie Wiesel and Frederic Raphael. Well known and celebrated as both publisher and poet, Jeremy Robson has produced a delicious memoir that will delight the reader.

Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.