Bartholomew Stovall, fatherless as an infant and orphaned at the age of ten, was born during the worst of times in English history. Despite the seemingly insurmountable odds against him, he dared to do the extraordinary and embarked on a journey that not only changed his life but also reshaped the future of his family. In Bartholomew Stovall - The English Immigrant, author William Robert Stovall Sr., a descendant of Bartholomew, traces the remarkable life of this man, capturing both his hardships and conquests, while painting a portrait of life in 17th century England and America. On July 7, 1684, Bartholomew boards the Booth, a slave-hauling ship bound for Jamestown, Virginia. The transatlantic voyage is fraught with uncertainty, and its end marks the beginning of a new chapter in his life. Before boarding the ship, Bartholomew had signed an indenture agreement to serve four years in the New World, a decision that would prove to be life changing. In Virginia, Bartholomew serves plantation owner Richard Kennon and his infamous wife, Elizabeth Worsham Kennon, who quickly recognizes that he is a remarkable person. By the time he completes his indenture obligation a trust bond forms between master and servant. When offered a secure life working for the Kennon's he refuses and opts for land and tools, and begins the task of attaining his foreseen destiny. This compelling chronicle is based on the known facts of an English immigrant and his adventure filled journey to a new life and future. It relays a powerful message of hope, courage, and the sacrifice that must be made in order to achieve one's dreams. This is the story of Bartholomew Stovall - The English Immigrant.

Bartholomew Stovall (1665-ca.1721), a Quaker, immigrated from England to Henrico County, Virginia about 1684, and married Ann Burton in 1693. Descendants lived in Virginia, North Carolina, Tennessee, Kentucky, Georgia, Texas and elsewhere.

The racist legacy behind the Western idea of freedom The era of the Enlightenment, which gave rise to our modern conceptions of freedom and democracy, was also the height of the trans-Atlantic slave trade. America, a nation founded on the principle of liberty, is also a nation built on African slavery, Native American genocide, and systematic racial discrimination. White Freedom traces the complex relationship between freedom and race from the eighteenth century to today, revealing how being free has meant being white. Tyler Stovall explores the intertwined histories of racism and freedom in France and the United States, the two leading nations that have claimed liberty as the heart of their national identities. He explores how French and American thinkers defined freedom in racial terms and conceived of liberty as an aspect and privilege of whiteness. He discusses how the Statue of Liberty—a gift from France to the United States and perhaps the most famous symbol of freedom on Earth—promised both freedom and whiteness to European immigrants. Taking readers from the Age of Revolution to today, Stovall challenges the notion that racism is somehow a paradox or contradiction within the democratic tradition, demonstrating how white identity is intrinsic to Western ideas about liberty. Throughout the history of modern Western liberal democracy, freedom has long been white freedom. A major work of scholarship that is certain to draw a wide readership and transform contemporary debates, White Freedom provides vital new perspectives on the inherent racism behind our most cherished beliefs about freedom, liberty, and human rights.

As the country enters a new era of conversations around race and the enduring impact of slavery, The Hairstons traces the rise and fall of the largest slaveholding family in the Old South as its descendants—both black and white—grapple with the twisted legacy of their past. Spanning two centuries of one family’s history, The Hairstons tells the extraordinary story of the Hairston clan, once the wealthiest family in the Old South and the largest slaveholder in America. With several thousand black and white members, the Hairstons of today share a complex and compelling history: divided in the time of slavery, they have come to embrace their past as one family. For seven years, journalist Henry Wiencek combed the far-reaching branches of the Hairston family tree to piece together a family history that involves the experiences of both plantation owners and their slaves. Crisscrossing the old plantation country of Virginia, North Carolina, and Mississippi, The Hairstons reconstructs the triumphant rise of the remarkable children, grandchildren, and great-grandchildren of the enslaved as they fought to take their rightful place in mainstream America. It also follows the white descendants through the decline and fall of the Old South, and uncovers the hidden history of slavery's curse—and how that curse followed slaveholders for generations. Expertly weaving stories of horror, tragedy, and heroism, The Hairstons addresses our nation’s attempt to untangle the twisted legacy of the past, and provides a transcendent account of the human power to overcome.

Antoine Trabuc (b.ca. 1667/1668), a Huguenot, married Bernarde Chevalie, emigrated from France to England (via Switzerland and The Netherlands) about 1689, and then immigrated to Manakin Town, Henrico County, Virginia in 1700; he changed the spelling of his surname to Trabue. Descendants lived in Virginia, Ohio, Indiana, Illinois, Iowa, Kentucky, Tennessee, Texas, California and elsewhere.

"This book presents an introduction to master screenprinter Lou Stovall by his son--part memoir, part history--that shows Lou Stovall's path as an artist while illuminating the golden age of art in DC in the 1960s and 1970s. It then presents a stunning series of prints and poems from his Of the Land series that showcase innovative screenprinting techniques. It finishes with an excerpt from Lou's autobiography, which gives readers a sense of his approach to art and life, which are intertwined. Stovall created The Workshop in 1968 as a small, active silkscreen workshop focused primarily on printing community posters. Under Stovall's leadership, Workshop, Inc. evolved into an internationally-respected printmaking facility and Stovall collaborated with Jacob Lawrence and Sam Gilliam, among others. His works are part of numerous collections, including the National Gallery of Art, Smithsonian Ameican Art Museum, and The Phillips Collection. Publication coincides with a Kreeger Museum exhibit and precedes a forthcoming exhibit at the University of Georgia (TBD)"--

For six years Maya Stovall staged Liquor Store Theatre, a conceptual art and anthropology video project---included in the Whitney Biennial in 2017---in which she danced near the liquor stores in her Detroit neighborhood as a way to start conversations with her neighbors. In this book of the same name, Stovall uses the project as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation. Her conversations with her neighbors—which touch on everything from economics, aesthetics, and sex to the political and economic racism that undergirds Detroit's history—bring to light rarely acknowledged experiences of longtime Detroiters. In these exchanges, Stovall enacts an innovative form of ethnographic engagement that offers new modes of integrating the social sciences with the arts in ways that exceed what either approach can achieve alone.