Ira Aldridge dreamed of being on stage, performing the great works of William Shakespeare. Through perseverance and determination, Ira became one of the most celebrated Shakespearean actors in Europe, and a public supporter of the abolitionist movement.

A nonfiction biography chronicling the life of Ira Aldridge, an African American actor who overcame racism to become one of the greatest Shakespearean actors of the nineteenth century.

Set in the 1820s, this is the touching story of a slave who is separated from her son and walks 12 miles every night to see him. Beautifully illustrated and with lyrical text, Twelve Miles Long is a heart-warming story of the loving bond between mother and son. Frederick cannot understand why he can't live with his mother who is a slave on another plantation. But during her nighttime visits she reminds him what each mile of her journey is for: remembering, listening, praying, singing and finally, love.

It's like being at a crossroads - a point of absolute, unequivocal change. It makes the blood rush. Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre? Lolita Chakrabarti's play creates imagined experiences based on the little-known, but true, story of Ira Aldridge, an African-American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe. Red Velvet received its world premiere at the Tricycle Theatre, London, on 11 October 2012, starring Adrian Lester as Ira Aldridge. It was revived at the Tricycle Theatre on 23 January 2014, before transferring to St Ann's Warehouse, New York, on 25 March 2014. This second edition includes the revisions made to the script for the 2014 revival of the play. It also features contextual articles by Lolita Chakrabarti about the real Ira Aldridge, and a piece by Professor Ayanna Thompson about the significance of Aldridge's erasure from standard theatre history and the importance of the play in this regard.

THE STORY: Earning their bread with satires of white high society, the African Company came to be known for debunking the sacred status of the English classics (which many politically and racially motivated critics said were beyond the scope of bla

This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.

The Bucktails turns British disdain for their crude, uncivilized former colonists against the effete representatives of the Old Order. The Lion of the West, written more than a decade and a half later, not only scored a great popular success on both sides of the Atlantic but also supplied a template for the conventional portrait of the Westerner and for the humor of the Old South West.