Kitab al-izah fi'ilm al-nikah b-it-tamam w-al-kamal: literally translated from the Arabic, with translator's foreword, numerous important notes illustrating the text, and several interesting appendices / by an English bohemian. The writing of this treatise is credit to Jalal Addin Al-Siyuti and the book was translated from the Arabic at the beginning of the century by an English Bohemian. It was originally published in France as a limited edition of only 300 copies. An imaginative translation has been accomplished in a fascinating style, attempting to mimic Arabic rhythmic prose.

Captain Jim Agnihotri and his new bride, Diana Framji, return in Nev March's Peril at the Exposition, the follow up to March's award-winning, Edgar finalist debut, Murder in Old Bombay. 1893: Newlyweds Captain Jim Agnihotri and Diana Framji are settling into their new home in Boston, Massachusetts, having fled the strict social rules of British Bombay. It's a different life than what they left behind, but theirs is no ordinary marriage: Jim, now a detective at the Dupree Agency, is teaching Diana the art of deduction he’s learned from his idol, Sherlock Holmes. Everyone is talking about the preparations for the World's Fair in Chicago: the grandeur, the speculation, the trickery. Captain Jim will experience it first-hand: he's being sent to Chicago to investigate the murder of a man named Thomas Grewe. As Jim probes the underbelly of Chicago’s docks, warehouses, and taverns, he discovers deep social unrest and some deadly ambitions. When Jim goes missing, young Diana must venture to Chicago's treacherous streets to learn what happened. But who can she trust, when a single misstep could mean disaster? Award-winning author Nev March mesmerized readers with her Edgar finalist debut, Murder in Old Bombay. Now, in Peril at the Exposition, she wields her craft against the glittering landscape of the Gilded Age with spectacular results.

The first in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. Exposition is the first in a triptych of books by the award-winning writer and archivist Nathalie Léger that includes Suite for Barbara Loden and The White Dress. In each, Léger sets the story of a female artist against the background of her own life and research—an archivist's journey into the self, into the lives that history hides from us. Here, Léger's subject is the Countess of Castiglione (1837–1899), who at the dawn of photography dedicated herself to becoming the most photographed woman in the world, modeling for hundreds of photos, including “Scherzo di Follia,” among the most famous in history. Set long before our own “selfie” age, Exposition is a remarkably modern investigation into the curses of beauty, fame, vanity, and age, as well as the obsessive drive to control and commodify one's image.

This handsomely illustrated book is a welcome addition to the history of women during America’s Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman’s Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman’s progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman’s opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman’s politics. The Woman’s Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.

Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".

This richly illustrated and well-researched volume recounts in detail the history of the fair that brought Seattle and Washington into the national spotlight. The A-Y-P Exposition, held in Seattle in 1909 on the future site of the University of Washington, welcomed 3.7 million visitors and was the first world's fair to make a profit.