Perhaps no instrument better represents the music of Appalachia than the fretted dulcimer. The instrument was no longer confined to back porches and local music halls when Jean Ritchie so melodically thrust herself and her dulcimer into the national limelight during the folk revival of the 1950s. But where did the dulcimer, known to exist in no other folk culture in the world, come from? In The Story of the Dulcimer, Ralph Lee Smith traces the dulcimer's beginnings back to European immigration to America in the eighteenth and early nineteenth centuries. As German immigrants settled in Pennsylvania and Appalachia, they brought with them scheitholts, a type of northern European fretted zither. As German immigrants intermingled with English and Scotch-Irish immigrants, the scheitholt, which was customarily played to a slower tempo in German cultural music, began to be musically integrated into the faster tempos of English and Scotch-Irish ballads and folk songs. As Appalachia absorbed an increasing flow of English and Scotch-Irish immigrants and the musical traditions they brought with them, the scheitholt steadily evolved into an instrument that reflected this folk music amalgamation, and the modern dulcimer was born. In this second edition, Smith brings the dulcimer's history into the twenty-first century with a new preface and updates to the original edition. Copiously illustrated with images of both antique scheitholts and contemporary dulcimers, The Story of the Dulcimer is a testament to the enduring musical heritage of Appalachia and solves one of the region's musical mysteries.

This popular text blends the haunting, sweet voice of the mountain dulcimer with treasured gospel and sacred melodies. Contains 37 outstanding arrangements in standard notation and tab with lyrics and suggested guitar chords. Dulcimer chord diagrams are also shown.

The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.

The Appalachian dulcimer is one of America's major contributions to world music and folk art. Homemade and handmade, played by people with no formal knowledge of music, this beautiful instrument arrived in the light of the 20th century with virtually no written record. Appalachian Dulcimer Traditions is a first-hand report to enlarge our knowledge of the dulcimer's history by searching the hills and "hollers" of Appalachia, looking at old instruments, and listening to the tales of old folks. After reviewing the instrument's special musical features, the book describes some related instruments, and reveals little-known facts about the dulcimer's origins on the early Appalachian frontier. The book then describes three major design traditions of the dulcimer, each centered in its own geographical area, and focuses on important makers in each of the three traditions--the Melton family of Galax, Virginia, Charles M. Prichard of Huntington, West Virginia, and "Uncle Ed" Thomas of Kentucky. A final chapter describes four Appalachian makers of the folk revival transition, who began making instruments the old-time way and modernized them to meet the needs of Post-World-War-II urban players. The book concludes with listings of dulcimer recordings in the Archive of Folk Culture of the Library of Congress.

"The Miracle Dulcimer" describes the instant-play method, how to get started with the dulcimer, tips on how to start a group for regularly playing music, personal stories, and a collection of 27 songs. The Miracle Dulcimer's 27 easy-play songs and instant-play method is ideal for individuals and groups who wish to play music but lack the skill or desire to learn. Natalie Buske Thomas, author of the Serena Wilcox Mysteries, created The Miracle Dulcimer Method when her mother was terminally ill, to enable her mother to instantly play music, without ever having played an instrument before and without any knowledge of how to read sheet music. The Miracle Dulcimer Method is a good option for anyone who wishes to play a real musical instrument (a mountain dulcimer, relatively inexpensive and can even be built from a kit) but lacks the ability or the desire to learn an instrument. This method is a wonderful solution for people with disabilities, special needs, and anyone who would benefit from music therapy. The instant-play method is also a great fit for playing music in groups, such as in church or community centers -- non musicians and children can play right away -- an excellent choice for fellowship and social events for people from all walks of life, mixed ages, and skill levels beginning with "never played an instrument before." Whether you are looking for a new option for a community group, seeking music therapy for yourself or a loved one, or you simply want to play music without the hassle of learning how, this book is for you!

This book was written as a basic guide and source book for all dulcimer players, from the absolute novice to the most advanced picker. With its 53 songs in various modes and tunings, The Complete Dulcimer Handbook is meant to be used as a songbook, a lesson plan book, and a step-by-step guide from beginner to intermediate or advanced level. The author's basic premise is that, given this instrument's relatively brief pedagogical history, There are no right or wrong ways to play the mountain dulcimer, only harder or easier means of reaching the same ends. The stereo CD features the authors outstanding performance of 17 tunes from the book.

Twin brothers are abandoned on their uncle's doorstep in early twentieth-century New England with nothing but a silver-stringed dulcimer.