Tells the remarkable story of how jazz became a key part of South Africa's struggle in the 20th century, and provides a fascinating overview of the ongoing links between African and American styles of music. Ansell illustrates how jazz occupies a unique place in South African music.Through interviews with hundreds of musicians, she pieces together a vibrant narrative history, bringing to life the early politics of resistance, the atmosphere of illegal performance spaces, the global anti-apartheid influence of Hugh Masakela and Miriam Makeba, as well as the post-apartheid upheavals in the national broadcasting and recording industries.

A COMPILATION OF COMMENTARIES AND INTERVIEWS FOR THE JAZZ ENTHUSIAST THE MUSIC LOVER. Interviews with Moses Molelekwa, Robbie Jansen, Gito Baloi, Ezra Ngcukana, Miriam Makeba, Louis Moholo, Theo Bophela, Hugh Masekela, Sathima Bea Benjamin, Carlo Mombelli, Marcus Wyatt, Claude Deppa, Morris Goldberg, Abdullah Ibrahim, Moses Khumalo, Vince Colbe, Mr Brookes, Mac Mackenzie and the Goema Captains of Cape Town. Together with running commentary of a life lived and learned through the lens of heart centred South African jazz musical vibration.The Story of SA Jazz Volume One isa great journey into exposing one of the most profound musical languages to ever come out of this country. Jazz it is said is the classical music of the 20th century. Through a collection of interviews, articles and commentaries, 'The Story of SA Jazz Volume One' exposes the extraordinary role South African musicians have played in the development of jazz music and humanity worldwide.

Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.

"South African jazz is a unique and all inclusive channel of real freedom, touching down in all the major cities of South Africa and the world. The story draw from a network of spoken words, interviews, articles, commentaries, anecdotes, mentorship, lived experiences and oral history of many music masters. The story of South African jazz describes an evolution and involution across five distinctive golden periods of social and self realisation."--Back cover.

A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.

Bheki Mseleku is widely considered one of the most accomplished jazz musicians to have emerged from South Africa. His music has a profound significance in recalling and giving emphasis to that aspect of the African American jazz tradition originating in the rhythms and melodies of Africa. The influences of Zulu traditional music, South African township, classical music and American jazz are clearly evident and combine to create an exquisite and particularly lyrical style, evoking a sense of purity and peace that embraces the spiritual healing quality central to his musical inspiration. The Musical Artistry of Bheki Mseleku is an in-depth study of his musical style and includes annotated transcriptions and analysis of a selection of compositions and improvisations from his most acclaimed albums including Celebration, Timelessness, Star Seeding, Beauty of Sunrise and Home at Last. Mseleku recorded with several American jazz greats including Ravi Coltrane, Joe Henderson, Pharoah Sanders, Charlie Haden, Billy Higgins and Abbey Lincoln. His music serves as a vital link to the AfricanAmerican musical art form that inspired many of the South African jazz legends.

This is the second edition of Christopher Ballantine's classic Marabi Nights, which offers a fascinating view of the marabi jazz tradition in South African popular music for a new generation of music fans and scholars of cultural studies, politics, and music. Based on conversations with legendary figures in the world of music - as well as a perceptive reading of music, the socio-political history, and social meanings - this book is one of sensitive and impassioned curatorship. An accompanying CD of recordings from the 1930s and 1940s yields almost forgotten treasures, and a selection of archival images gives the narrative further resonance. The second edition contains a new chapter on the Manhattan Brothers and singing groups' adaptation of the American close harmony tradition. Through the prism of popular music, this book also goes further in its discussion of gender in the context of forced migrant labor in the 1950s.