A compelling, terrifying story of a devastating virus. You catch it in conversation, and once it has you, it leads you into another world where the undead chase you down the streets

A new play from acclaimed writer Tony Burgess, author of the wildly successful novel, Pontypool Changes Everything. In the sleepy town of Pontypool, Ontario, no one is safe from an epidemic so devastating it will leave you literally speechless.

Three celebrated books - all of which harbour a twisted ambition to physically alter your imagination - together for the first time. The Hellmouths of Bewdley is a series of 16 stories hiding in a novel about a small town in Ontario's cottage country. Pontypool Changes Everything is the terrifying story of a devastating virus. In Caesarea, everybody's embarrassed and nobody is mentioning the mess. Caesarea, you see, is the town that can't get to sleep at night. The Bewdley Mayhem combines these three classic horror tales, each of which has its own twisted humour.

"About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." —Lev Grossman, New York Times bestselling author of The Magicians and The Magician King “Best thing I've read in a long time . . . a masterpiece.” —Hugh Howey, New York Times bestselling author of Wool Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she's good with words. They'll live to regret it. They said Wil Parke survived something he shouldn't have. But he doesn't remember. Now they're after him and he doesn't know why. There's a word, they say. A word that kills. And they want it back . . .

Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.

A refugee from city life, Constable Evan Evans hardly gets a chance to settle down in Llanfair, a secluded Welsh village with plenty of local color, before he must investigate the murder of two hikers on a mountain. Reprint. K.